LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Monday, October 22, 2018

The Life and Times of Elizabeth I > Coney Catchers

     . . . .  Coney catching is still in play, even if looking for rubes and marks on city streets isn't called that any longer.

A presentable young white man stopped me on the sidewalk Friday and asked if I spoke English. He said he couldn't tell by looking if "the people around here spoke English or not, and it seemed that hardly anybody did." Which that, right there, made my hackles raise. Why is his problem for pete's sake? Because all around us on the sidewalk were people conversing in English.

Blahblahblah, he needs to get back home to Ashville, NC, where he lives. He shows me his driver's license on top of a wad of bills that is the money to buy his ticket home. The driver's license could be him, who knows. He is $6 short of the money he needs to buy a ticket on the China Town bus that will take him to Ashville, and could I help him out, please. He's "so embarrassed and humiliated to be asking but has no choice."

I know nothing about the China Town bus except that it takes people to the casinos, the buses are poorly maintained and the drivers poorly trained and often over tired -- accidents happen a lot. Maybe it goes to Ashville, I don't know. I do know Ashville a little though. I've been there. I've spent some nights there in a very nice B&B during our southern journeys. He doesn't sound Ashville to my ears. 





What I'm hearing my head is Elizabethan writer and dramatist, Robert Greene, who wrote the Cony Catching Pamphlets. They purport to describe how these London thieves and con men -- the coney catchers (various spellings; it's the 1500's) -- work on the ignorant and trusting from out of town to separate them from their money and other goods -- sometimes even their lives. 

Maybe, the guy was for real? Maybe he wasn't. In case he was for real I gave him a dollar, not the 6 he asked for. He wasn't quite able to conceal his resentment that I didn't give him $6.  I said, "I will be asked for money by at least 5 more people today before I go home and they'll all be visibly far worse off than you appear to be." He disappeared just like that.

As of today I'm still hearing coney catcher in my head about him.

Partly this is because about 8 days ago I had read the 4th installment in P.F. Chisholm's Sir Robert Carey historical mysteries, A Plague of Angels (1998).  

This one takes place in London. One of the characters is the young William Shakespeare, during the years the theaters are closed due to plague.  He's not yet Shakespeare, and almost as wet as the young Endeavour Morse -- though he will surprise the reader by the end, as well as Sir Carey, in more than one area. After all, he is still  Shakespeare, whether young, unknown and not that experienced.

This portrait of young Shakespeare, in the missing years, so to speak, which are also plague years in which the theaters are closed, is unlike any fictional Shakespeare by other novelists.  He’s working for Sir Carey’s father as a footman and for Kit Marlow (a nasty piece of work is Marlow) as a spy – i.e. spying on Carey’s father (his father is Queen Elizabeth's nephew and cousin, though he was illegitimate, via her sister from Henry VIII) for Vice Chamberlain, Thomas Heneage (who, like Hundson himself and Sir Robert and Shakespeare, are all real historical figures). The slim novel is very well paced, though stuffed with so much mystery, suspense, action and character in so few pages, all tied neatly together, and most satisfactorily. And, especially, this Shakespeare, and the reason for the Dark Lady sonnet with the wires out of her head – brilliant!  The angels? Counterfeit Queen’s money, gold coins, and they are the roll and role of plot. 



Robert Greene is also a character in Plague of Angels, so thus his Pamphlets were much in my mind, as well as Carey's Scots servants getting taken in by cony-catchers. These days among literary scholars the primary reason we are acquainted with Robert Greene at all is because of his Groats-Worth of Witte, bought with a million of Repentance, and that because it is thought to contain an attack on Shakespeare (among others; Greene was not a popular figure among his contemporaries.

Because of Chisholm's Sir Robert Carey series, I seem to have begun a project of watching -- re-watching in many cases, such as rewatching the episodes of the Tudors that include Elizabeth the child and gangly girl.  -- television series and films that feature Queen Elizabeth I.  Over the weekend I saw the 2005 British miniseries Elizabeth I -- not BBC (2 parts) in which Elizabeth is played by Helen Mirren.  She does as splendid a job with it as one would expect.  The series begins about half way through her reign and concludes with her strong intimation of coming death. Next up Cate Blanchette's two Elizabeths, followed by the 1971 Elizabeth R series in which Glenda Jackson plays her. 



 The one I'm looking for, and which seems hard to find is the 2005 four-part miniseries from BBC in a partnership, Elizabeth I: The Virgin Queen. This one includes Tom Hardy in the cast.  This one was shown on PBS Masterpiece in the US.

So is it that at a certain stage in her career, a woman of a certain stature in her career as an actor, feels she must play Elizabeth?  Or is it that others feel she must play Elizabeth?  There are others I'd like to see too.  

Here's a website with a list of Elizabeth-Tudor movies.



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