LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Showing posts with label Angola. Show all posts
Showing posts with label Angola. Show all posts

Saturday, October 30, 2021

Oct. 31: Postmambo presents ¡Que Viva la Muerte! Gède / kalunga / Death Metal Angola

      . . . . Tomorrow!  Sunday, Oct. 31!  It begins at 3:30 pm! (Eastern Daylight Time)

We'd love to have you with us. To participate, you need to have the Zoom link, which you get from the [seminar] mailing list (because [nedslist] is too big to send Zoom links to). If you're not already on that list, write me and I'll make sure you get the link.

A special one-day virtual event celebrating All Saints' Eve / Day of the Dead / Fèt Gede / Halloween



¡QUE VIVA LA MUERTE!

Long live death!

=> 3:30 pm: Jean-Daniel Lafontant will talk with us about Gède, the lwa of death whose day is celebrated all over Haiti.






=> 5:00 pm: scholar / educator / photographer C. Daniel Dawson talks with us about kalunga and death in Kongo thought and cosmology.


=> 6:30 pm: dinner break.



=> 8 :00 pm: a special edition of Postmambo Movie Night, presenting Death Metal Angola (2014), with filmmaker Jeremy Xido in conversation.  

* * *

COMING SOON!

November 11, 8 pm Eastern: NOLA Reconnect Sessions: Erol Josué talks with Dr. Elizabeth McAlister.

November 18, 8 pm Eastern: Postmambo Movie Night: Jason Berry presents his new film City of a Million Dreams.

Wednesday, May 15, 2013

After the Quake: Music, Politics, and Spirituality in Haiti

The final program in el V's HipDeep series that investigates the historical, political, cultural and spiritual elements in Angola - old Kongo, and the diaspora into the New World has been created.

This program focues on San Domingue in the past, and Haiti, as it was called, after the slave revolution.  Though program is centered after the terrible earthquake, it is not about the quake or rebuilding, particularly.  It's a wild, high velocity, high energy, fast moving show dealing with vodou and the music and culture, and how these both bleed into the political situation and are repressed by it. Among other things you will learn what a real zombie is, what it signifies. You can hear it here.


For this exclusive Afropop Worldwide Hip Deep report, producer Ned Sublette travels to Port-au-Prince, where he checks in with bandleader Richard Morse of RAM, and with Lolo and Manzé Beaubrun of Boukman Eksperyans, both of whom produced hotly controversial carnival songs this year. In a country where the president, Michel Martelly, was formerly the Tags – 1 dance-music singer, the complexities of politics are felt in music. We'll look at how vodou and carnival interact to provide a vocabulary for political expression in the tense post-quake atmosphere. We’ll meet 95-year-old Emerante de Pradines Morse, who was the first singer to perform the songs of vodou as entertainment in Port-au-Prince; we’ll hear from historian Laurent Dubois, author of Haiti: The Aftershocks of History; and we’ll go crowd-surfing in the crush of carnival at Jakmel, the southern Haitian port city that was once a colonial cousin to New Orleans. Produced with support from a Knight Luce Fellowship for Reporting on Global Religion, a program of the University of Southern California's Knight Chair in Media and Religion.
This is long series in every way: long dreamed of;  long envisioned, long struggled to make possible; long in creation.  And here it is, fulled realized, created, and concluded!

Congratulations Mr. Sublette!

Friday, February 1, 2013

New Month - Usher To Feeling Poorly

Have no idea if I'm actually sick or only feeling sick from the combination of strong freezing winds and temperatures, the dry heat no matter how much I humidify the apartment. But have been feeling successively more sick since Wednesday night. The head feels as large as an old school school globe of the world.

Fortunately Himself in Haiti is feeling just fine, and I'm so glad. He was sick so much his time in Angola.

Friday, December 14, 2012

The Cuban Intervention in Angola



El V writes:

. . . Hip Deep Angola, Part Four: The Cuban Intervention in Angola is streaming on Soundcloud, right here:

https://soundcloud.com/afropop-worldwide/hip-deep-angola-4

The arc of the show covers from the independence of Ghana in 1957 to the Angolan peace that began in 2002 following the death of Jonas Savimbi. Among its other achievements, it contains a 2:50 excerpt of a powerful March 1977 speech by Fidel Castro in Luanda, at the peak of his oratorical power, that does not appear in the LANIC Castro speech database. It was furnished to me, along with other Angolan radio features and bumpers, by Dr. Marissa Moorman, who is working on a book I am keenly interested in: Tuning in to Nation: Radio, State Power, and the Cold War in Angola.

I haven't been mentioning this sufficiently, but each
HIP DEEP ANGOLA episode is accompanied by a web feature that features an interview transcript with, like, major-ass scholars.

Hip Deep Angola has interviews I did with Marissa Moorman, Stefanie Alisch, Bárbaro Martínez Ruiz, C. Daniel Dawson, Victor Gama, and Piero Gleijeses, not all of them posted yet. These! Are! The! People!
And more to come.
The principal scholar for HDA4 is Piero Gleijeses from Johns Hopkins, whose Conflicting Missions: Havana, Washington, and Africa, 1959-1976 is a formidable and definitive piece of contemporary scholarship -- he got the Cubans to invent a declassification procedure -- and who will shortly be following it up, 11 years later, with Visions of Freedom. The web feature will include (not up yet) my interview with him, as well as with Angolan composer, instrument builder, and musicologist Victor Gama.

For the record, the other three Hip Deep Angolas are streaming here:




Tuesday, November 27, 2012

From Da List -- Artist, Houngan

From Da List -- the photos that go with the interview are fairly spectacular, beginning where Michael started in Buffalo, into his loft and studio -- and his work:

[ " If you know me well, you know I'm a big fan of the work of my artist friend Michael Zwack. A while back (quite a while back), I interviewed him for freundevonfreunden.com, a website that does photo shoots of artists in their studios and neighborhoods. The interview has finally been published here. If you scroll down there are images of his djevo (altars -- Michael is a houngan asogwe, or ritual expert in vodou), as well as of his paintings-in-progress . . .

Thanks to those who have checked out HIP DEEP ANGOLA, PART THREE: A SPIRITUAL JOURNEY TO MBANZA-KONGO. I can't be objective about it, because I'm too close to it, but the experience that I'm reporting on was one of the most important things I've ever done. I'm grinding away on the fourth and final episode now. For those just tuning in, the first two HIP DEEP ANGOLAs are here and here.

In other news: I'm going to NOLA next week for events connected with One Book One New Orleans, which has chosen The World That Made New Orleans as its book this year. While I'm there, I'll be doing my first-ever performance in a New Orleans nightclub, to debut my new CD there. Attached (and appended) is the flyer . . .

The Official New Orleans Kiss You Down South Record Party and Live Concert.

Friday, Dec. 7, starts at 7, ends at 9, at Siberia, 2227 St. Claude. Tell your friends." ]

Thursday, November 22, 2012

Da List: *Hip Deep Angola Part Three: A Spiritual Journey to Mbanza-Kongo now online*


This summer I had the tremendous experience of going to Mbanza-Kongo, in the north of Angola, where I recorded material for an episode of Afropop Worldwide Hip Deep and a still unfinished piece of writing.

Today is the distribution day for the show. This very special radio program will air on Public Radio International stations around the country this week. In New York, it will be heard on WNYE 91.5 FM on Saturday (24) at 11 p.m. and Monday (26) at noon.

You can hear it on Soundcloud at http://soundcloud.com/afropop-worldwide/hip-deep-angola-part-3-a

Meanwhile, it's being broadcast against a background of turmoil in the neighboring Democratic Republic of Congo. See this and this.

HIP DEEP ANGOLA, PART THREE: A SPIRITUAL JOURNEY TO MBANZA-KONGO
Produced by Ned Sublette


HIP DEEP ANGOLA 3: A SPIRITUAL JOURNEY TO MBANZA-KONGO (distribution date November 22). Today Mbanza-Kongo (Kongo City) is part of Angola, in the north where the Congo River divides Angola from the Democratic Republic of Congo. When the first missionaries arrived there in 1491, it was the seat from which the Manikongo (king) ruled over a large area that reached to south of Luanda. It was a city of luxury, with perhaps as many as 60,000 people at its peak. To make this unprecedented program, producer Ned Sublette traveled to Mbanza-Kongo to rendezvous with Dr. Bárbaro Martínez Ruiz, professor of art and art history at Stanford.

We’ll learn about the simbi, the spirits that Martínez Ruiz describes as “the multiple power of god”; hear Antonio Madiata play the lungoyi-ngoyi, the two-stringed viola of the Kongo court; attend a session of the lumbu, the traditional tribunal of elders; listen to the voice of a deceased singer who took 500 years of genealogical knowledge with him when he departed; talk to traditional healer Pedro Lópes; and with the help of historian C. Daniel Dawson and with Angolan composer and musicologist Victor Gama, we’ll examine Kongo-Ngola culture in the diaspora – in Brasil, Haiti, Cuba, and more.

Tuesday, November 20, 2012

Coughs, Sneezes, Sleepless Nights, Work & Willie Nelson

El V's having to write the script NOW for Angola Part IV, "Cuba." This involves, among other things, not joing friends for Thanksgiving, and his going to D.C. on Saturday to interview a Cuban, a scholar, at George Washington who was there as eye-witness throughout the entire venture, and by-the-by listening to a score of Fidel's speeches, including one of the most fiery ever, that he gave in Angola to the Angolans. (Just as we had to listen to a lot of Salazar's speeches he gave to the Portuguese about the greatness of their great International Colonial Empire, which put them in the line-up of the Great World Powers, and which consisted solely of the un-developed and uneducated in repressed, oppressed Africa, without schools, roads and other infrastructure -- but they had to buy their food and wine from Portugual at inflated prices (Portugal sold more of its wine to Angola than in other markets combined), and weren't allowed to grow or make their own, or buy from anyone else. Imagine after 400 years ruling Angola no Portuguese had ever ventured into the interior. But then Salazar never set foot in Africa at all.

In the meantime I remain a mess. Wretched night. I keep expecting to be better! This has gone on long enough.


Our bistro says if we wish to eat Thanksgiving at their place, there is always a place for us -- they've been booked up for Thanksgiving since the day they re-opened from Sandy. But there's a party on Saturday I really want to go to -- will el V get back in time from D.C.? Will I be well enough to go the parties Wednesday and on Friday? I want to go to them all, very much. I feel the need of some party. It's been so grindstone and anxious for so long.

But -- in the meantime, none of this stops el V from going off to Sirius Radio and hanging out with Willie Nelson, who is in town promoting his memoir, Roll Me Up and Smoke Me When I Die.

Monday, October 29, 2012

The Outlook Is Not Looking Good

Update: ConEd just informed our friends on Kenmare Street -- east of Broadway, below Houston, just above Canal -- they are turning off the power in that part of Manhattan. That's a straight shot to our place on the west side.

It is more likely our end of town, at least, will lose power than it won't lose power, and the real thing hasn't hit yet. The chance that the basement of our building will flood is at least 50% and the real thing hasn't happened yet.

So I took Unhappy Ears Dog on a long walk -- she's a rescue and very needy. Hostess took down the boxes and so on with her winter clothes last night, and today is a work day, moveover one longer than usual. Molly was drooping ever more as the morning rolled on.

Now she's bright and undroopy. Instead of her tail being tucked, her tail wags when she does her job of following me whenever I get up from the chair. She's resting instead of hiding. She also got a treat. She's cheered me up.  This is why we have pets.  We can do something for them, and it makes us feel better too.

In the meantime, el V, here in New OrleansSome people have asked, so:

I will be speaking in New Orleans tomorrow (Tuesday, Oct. 30) evening at 6:30 at Tulane's Jones Hall, room 100A, on "Kongo Belief Past and Present." On Thursday, Nov. 1, at 8 p.m. in the Iberville Room of the Astor Crowne Plaza, I will be part of a panel at the American Musicological Society conference titled "Moving Roots of Music: The Many Worlds within New Orleans."

When he's not doing this, he's watching the east coast on the computer. Actually, what el V's doing is working his behind off, to be ready for tomorrow's talk and making the next Afropop program in the epic of Angola.

Thursday, September 27, 2012

Angola 2 -- El V Speaks

El V-- not Foxessa --here:

[ ".... excitement abounds . . . the product of a *lot* of work has come to fruition . . .

HIP DEEP ANGOLA PART TWO is up, with the unwieldy title of 21st CENTURY URBAN ANGOLA: KIZOMBA, KUDURO, AFRO-HOUSE, AND BEYOND. 


Of the four shows I am producing about Angola this fall (the last two will air in November), this is the densest. Besides the music, it has twelve different speaking voices, and it's entirely about African electronic music. In particular, much of it is at 140 BPM.


If you cut & paste into your address bar -- for some reason the platforms el V has to work with on this side won't hyperlink this one -- you can hear it right now at:

http://soundcloud.com/afropop-worldwide/hip-deep-angola-part-2-kuduro

And feel free to leave a comment.

It will be available on the HIP DEEP website at www.afropop.org. In New York, i
t will air on WNYE 91.5 FM in New York Saturday at 11 p.m. and Monday at noon.

Meanwhile, HIP DEEP ANGOLA 1 is still up and available for listening at

http://soundcloud.com/afropop-worldwide/hip-deep-angola-part-1-music


Press release follows:

HIP DEEP ANGOLA 2: 21st CENTURY URBAN ANGOLA: KIZOMBA, KUDURO, AFRO-HOUSE AND BEYOND (distribution: September 27) takes us to the street in Angola’s dense, smoggy, oil-booming capital city of Luanda. Peace came to Angola in 2002 after forty-two years of war, and now everything is different.

The postwar generation of the last ten years communicates via text-messaging and electronic music. Producer Ned Sublette checks out kuduro (literally, hard-ass) – the high-energy electronic dance music that dominates Luanda today, as well as the the zouk-like couple dance of kizomba, a phenomenon that began in the 80s and still packs in dancers to Luanda clubs, and, farther underground, the computer-driven style called Afro-House.

We’ll talk to musicologist Stefanie Alisch, who’s been studying the world of kuduro in Luanda this year; historian Marissa Moorman about kizomba and the early days of kuduro; transgendered whirlwind dancer and rap diva Titica, the first out-gay African music star; 21-year-old superstar Cabo Snoop, whose “Windeck” became a hit via Bluetooth; Coréon Dú, executive producer of the weekly kuduro TV program Sempre a Subir; the charismatic, comic hosts of that program, the duo of Os Namayer, better known as Príncipe Ouro Negro e Presidente Gasolina (Prince Black Gold and President Gasoline); DJ Satelite, a leading beatmaker and producer on the Afro-House scene; Angolan music historian and critic Jomo Fortunato; and Jó Kindanje, the Angolan writer who published the first book on kuduro. " ]

Tuesday, September 25, 2012

The Wrong Turns Are The Right Turns - London 3

Because it was brilliant autumn sunshine and supposed to be 75 today we left early in the morning for Regent's Park again so Foxessa could visit Queen Mary's Gardens. Quickly ot turned overcast, the wind was persistently ungentle. Rain began as we entered the Inner Circle within which lies Queen Mary's Gardens. We took refuge in the Cafe, which caters to a clientele that ranges from tourists such as we, regulars, local schools' tennis and soccer teams tournaments and practices, local tennis players, to figures who seem to believe they are participants in the lifestyles presented by the Top Music Videos channel which plays relentlessly on the television. The Cafe provides various sports amenities and equipment for sale,  and changing rooms -- locker rooms for we USians -- presumably for a membership fee.

While sharing a scone and drinking hot chocolate a vid showed up that was interesting in all kinds of ways: "Turn Me On" (2011). OK.  Queen Mary's roses, Jubilee Gates, i.e. Queen Elizabeth's big celebration this summer.  And ... this.  Scary, but elegantly imaginative. Makes the vids of  Ms. Crude Palmer, look the pathetically talentless attempts they are.

The sun returned. The Royal Academy of Music at York Gate, yes! and the exquisite attached three-floor museum, with research rooms and rehearsal halls.

Passed up the opportunity to stand in queue to see Bruce Willis and Marvel superheroes be wax at Madame Toussaint's.

However, because I wanted, we did move across to Baker Street.  Somehow it was appropriate that we changed my remaining $150 into pounds on Baker Street.

Getting confused by then we made the wrong turn and encountered a confab going on in front of the Angolan Embassy.  El V greets them in Portuguese, and  progressed from there.  He was thrilled.  Among other things, he learned today at the UN General Assembly UNESCO was meeting to finally create the church in M'banza Kongo an International Heritage Site. This provides him a hook for the article he needs to write about the M'banza Kongo part of the Angolan trip. The head fellow standing there is from M'banza Kongo, so this is more than excellent.

We've gotten turned around. Both of us are hurting like, well, we are.  I'm limping.  We stop at the Duke of York pub, where yes, from a cask pull, the Czech beer from yesterday is also available.  This time I got the name, Staropramen, which They Say Who Know is a middling beer according to Czech standards. Those standards are much higher than those in the U.S.  I hope the Czechs know how much more fortunate in their beer they are than we with those over-hopped, over perfumed, over ingrediented microbrews overhyped in every locality in the country now.  I'll take a Staropramen over a Brooklyn hop extremist micro brew any and every day.

We've had the greatest day! we blither at each other! We speculate which Duke of York the pub is named for -- el V pulling for Charles II's brother, who became King James II (1633–1685), the biggest royal slave trader ever! me for the Prince Frederick, House of Hanover (1784 - 1827), because this area was developed by John Nash in Frederick's lifetime -- the Regency, Regent's Park, etc., you know?*

We pour over the catalog we bought in the Royal Music Society's Museum, which dissects section-by-section John Perry's "A London Street Scene," -- and I complain I wrote all this down in my notebook, and if I'd known about the catalog before-hand, I could have saved myself all that work, yet I'm glad I did it, because I feel such a connection to its explosive energy, that is of that era, because I spent so much time looking at it blitherblitherblither. El V blithers about the pianos and their history as instruments and how splendid the Museum's collection is, and how Ellio, the piano player in Las Vidas Perfectas is going to envy him seeing these pianos -- and a virginal! -- and music and the musical theater U.S. and London connections in the 18th and 19th centuries, and the slave trade and Jim Crow in theatrical musical history and the history African Americans. We marvel how welcoming, helpful, knowledgable everyone at the museum was.  I rapture over the curators of the Dickens and London Music exhibit: so small, so dense, so informative, so coherent even in the manner of how Dickens would resolve a plot, so informative -- and the more you know about all these matters the more the exhibit speaks to you, and you learn things you didn't know! AND the museum has all these conveniently placed chairs  -- with backs and pillows -- on which to sit while taking notes. AND they never tell you not take pictures, they ask if they can make it easier for you.

We get lost again, but we read the helpful street maps and get back on track to home base.

The same thing happens in the second pub we stopped into for more than recuperation and rejuvenation. By now we've earned our dinner, and base camp is only about five more blocks away. Thank goodness. This time it was discussion around reviewing our digital photos that provoked the join-in. As well as el V speaking Portuguese with the new Brasilera bartender, who had been there for only a month.

Even though I can hardly move and the pain is off the charts, this was a Great Day. I can't help it. I really love being in London.

El V's got his first London rehearsal tomorrow.
_________________

* I'm right about which Duke of York the pub's named for. I didn't think to ask them because they must get asked tourist questions all the time -- imagine what it must have been like for them, with the Jubilee and the Olympics both in the same summer -- even though this isn't exactly Paddington Station, it's walking distance to Lord's Cricket Stadium / Ground -- we passed it twice, and people were taking photos. Also, in NYC quite often you ask someone who lives / works close to an historical marker and they never heard of the figure or the event. (This is the same Duke of York for which New York state and New York City is named, so I've  been interested in him since the fourth grade when we learned about that.)


Sunday, September 23, 2012

Guess Where We Are

Hint: it's pissing rain. And cold.

The classic London weather for which it is famed: cold, grey, raining.  (Yesterday though, it was brilliant: sunny, clear and bright, though still, yes, cold, because it is England and England is always cold, except when it has experienced these climate change spells of overheat in recent years.)

Nevertheless, it's a lovely view from where I've set up camp in Host's library*.  The end of the room has the tall three-windowed bay, so common in architecture of this era.  Here, on the second floor the bay windows provide an expansive view into the gardens and courtyards of the semi-detached villa mansions and multiple residency terraces.  Many varieties of trees (leaves beginning the turn -- branches here and there fountaining gold and red) and flowers, as well as birds. The host has a bird feeder outside one of the windows. Not bird watcher, only as bird enjoyer, I've only been able to identify pigeons, ubiquitous to urban air space, and a wax wing. This is where Regent's Park is, as well as Regent's Canal (thus Little Venice), so water birds abound, as well as garden variety birds. There are many bird watching clubs here, and many of them are specialized -- such as only water birds sighted in Regent's Park. Climate change is a boon to these clubs.

We're doing fairly well, as we should, considering how well we're situated.  Despite all our long and short range planning and preparation, despite going for a British Airways upgrade, despite the very nice and helpful people before, during and after the flight, the journey from home to St. Mary's Mansions was brutal. Traffic to JFK was backed up worse than I've ever seen it, which is saying something. The Brooklyn Bridge is undergoing repairs, which futher backs up things as it is an alternate route to the airport. This backup is thanks to the General Assembly of the UN, has been in place for at least three days already, and will be for another week -- legations coming in with all their people from all the planet.

When we finally got here both of us were hurting badly, neither of us had gotten more than 4-5 hours of sleep in the last 48 hours and neither of us possessed the intelligence of a 3 month old blood hound pup.

Even so, (though dimly, as physically miserable as I was, and not with a window seat) I felt a thrill of recognition that only people who love literature in the English language and who have been studying the development of the United States and have lived in those early English colonies that are Virginia and Maryland probably will feel (these are the regions that contributed so much population, at least ruling class population, to those colonies). Once the plane was over England, on the route to Heathrow, we crossed all that English countryside that is between Oxford and London, the topography of BBC television series like Midsomer Murders, one of my favorite series, set within hedgerows and walls that mark the boundaries of properties here, signatures of southwest England.  Anyone who is pleased by prospects of well-cultivated, rich rural fields and pastures, amply watered, with fat, contented livestock and poultry, old family estates and farms, trees and flowers, very gently rolling meadows and hills, will know what I mean. Some parts of our drive in Minnesota on the way to Ottertail Lake (by way of Fox Home) when we were kids, had that look of rural care and prosperity, which imprinted “Ultimate Good Life” on my soul.  Of course in the upper Midwest we didn't have those boundary markers. At one point I thought, thinking of Ned’s videos from his Angolan flights, “Now England has far more trees than Angola does (at least those regions of Angola)!”

We took a short nap in the afternoon, went for a walk or two, got British money, got some groceries, had a classic English pub meal in a classic English pub. This included a stout, Samuel Smith's Old Brewery Bitter, for el V, which, el V announced, had restored him to the Faith. "I realize this summer I suffered a crisis of faith in beer. Just one wretched excuse for beer from these over-rated perfumeries that call themselves micro breweries. But at this moment I've entered beer heaven." From up in Yorkshire, Sam Smith's is much superior to Guiness, at least the Guiness we get in NYC, even on tap in an Irish bar. Not my kind of stuff, but Ned was in heaven. Recall he's been off beer since the end of June. At home we worked for while, him on the Angola epic and me on a part of The American Slave Coast in the colonial Virginia section.

We went down for good at 10 or 22, depending on how you track time.  We wouldn't have slept last night except for adding another duvet to the bed.  Between those and snugged into each other, we slept well. Don't know if the melatonin contributed or not (it didn't do us any good for sleeping during the flight), but despite waking often, we went right back to sleep, getting up at 8:45 A.M, to rain and the cold. I bet we'd gotten up earlier though, if it had been sunny.

We are going to have to get some warmer clothes. It was like going to Cuba in February, but in reverse.  Your brain tells you hot and humid, but in NYC, wh.ere 45 is warm, you just can't conceptualize what it means. You deplane in the Havana airport and break out into a sweat, grab your sunglasses, madly doff layer after layer, rip off your boots and unpack your sandals, which at the last minute you shoved into your carry on because you remembered that part -- all before getting to immigration.  So England -- where in NYC it's 80 today, we couldn't conceptualize c-o-l-d.  And it is. Cold. At least to us.  For the English probably this is blessed normality. We did find Host's stash of space heaters, so it's cozy now.

El V, a/k/a Grocery Warrior, armed with Host's umbrella, has returned with more groceries, for this weather is to hold through tomorrow.  In Scotland it's gusting up to 60 mph, with flooding in some places and trees and lines down.

As requested he brought back some less expensive wine. Host has massive amounts of Finest Liquor of every kind. Host particularly has wine. Full wine racks, other bottles elsewhere.  We're not about to open any of that.

We can go out for short runs at the park and various other landmarks here, despite the rain. There's a huge amount to explore all around us. Notting Hill, is part of this area that we can walk to.  It was where the English West Indies immigrants landed, in the deserted by the rich  multi-residence terraces (some built by John Nash, though exactly which ones other than those with Ionic columns, I still hazy on), when invited in back in 1950's to take London service jobs.  Thus this is where England's first race riot took place. By now most of the Jamaicans and other West Indians have given place to immigrants from Pakistan and other Muslim countries -- which if you like that kind of eating is terrific (and we do like it). These sections still retain some flavor of that West Indian predominance era if you look. Immediately where we are though is all veddy up market, whoever you are.  That's about what we can manage for today, due to the weather.

We're both still tired, and I'm still in a lot of pain. Though we are recovering very well, an enforced stay-in is probably good for us both.

It's clear: from whatever angle we look at it, we are very well, and very happy.  Surely it's time for wine?

-------------------

* Host's entire home is a library -- a very fine one in content too.  Built-in floor to ceiling bookshelves are in every room except the bathrooms. Yes, in the laundry room and kitchen** too.  And music, of every kind.  Interesting that around here, looking through the windows from the street and from Host's windows, everyone's home is filled with floor to ceiling bookshelves, all packed with books.

** Some of the earliest digital technology ever!  To see what I mean, look up how piano rolls were made.

*** Why did granite counter tops become the must-have kitchen installation?  They are impossible to make dry when water slops on them. Mopping the water just spreads it around. Air drying leaves behind municipal water supply chemicals, bleaching the black. Needless to add that cleaning them is a royal pain. Edited to Add: Host's stove!  I'm in love.  I could do anything with his burners and oven.  And I think Host does do anything, from baking, roasting, simmering et al.


Thursday, September 13, 2012

*Hip Deep Angola* Premieres

The first episode goes up today and will be available at www.afropop.org

It will air on WNYE 91.5 FM in New York Saturday at 11 p.m. and Monday at noon.

You can also hear it (right now) at
http://soundcloud.com/afropop-worldwide/hip-deep-angola-part-1-music


[Sorry -- the photos didn't come through in the press release, cut and pasted below. ]


* * *


PRESS RELEASE 
September 13, 2012 
Afropop Worldwide 
info@afropop.org / 718-398-2733

HIP DEEP ANGOLA TO AIR
FOUR-PART RADIO SERIES BEGINS IN SEPTEMBER

Premiering in September and continuing in four episodes through November, AFROPOP WORLDWIDE’s HIP DEEP ANGOLA will present an unprecedented exploration of the history and contemporary reality of this southern African nation -- a story told in music.

Angola is not an easy place to report from even now, but until recently, it was almost impossible. From 1961 to 2002, it was at war on its own territory, emerging with little in the way of infrastructure. Now, fueled by oil revenues, it’s undergoing a massive national construction project unlike anything else in the world.
Produced by HIP DEEP co-founder Ned Sublette, who traveled to Angola in July, and featuring commentary by leading musicians and distinguished scholars, HIP DEEP ANGOLA will air on public radio stations around the  country via Public Radio International. (In New York City it airs on WNYE, 91.5 FM, on the Saturday following distribution date at 11 p.m., and again on Monday at 12 noon.) It’s available streaming as of the distribution date at www.afropop.org.

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HIP DEEP ANGOLA 1: MUSIC AND NATION IN LUANDA (distribution: September 13) explores the role music played in the creation of a uniquely Angolan consciousness as the country struggled toward independence in the 1960s and ‘70s after centuries of colonialism. Our guide will be Dr. Marissa Moorman, historian of southern Africa and author of Intonations: A Social History of Music in Luanda, Angola from 1945 to Recent Times.
On the ground in Angola, producer Ned Sublette talks to critic and musicologist Jomo Fortunato, and to guitarist and bandleader Carlos Vieira Dias. We’ll hear the pathbreaking Ngola Ritmos, who dared sing songs in Kimbundu publicly when it was prohibited by the Portuguese. And we’ll hear the voices of Teta Lando, Urbano de Castro, Artur Nunes, and Luis Vizconde, from the age when the guitar-driven style called semba ruled, as well as some snazzy ‘60s guitar instrumentals. We’ll also check in on the new generation of semba, via Paulo Flores and Yuri Da Cunha.

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HIP DEEP ANGOLA 2: 21st CENTURY URBAN ANGOLA: KIZOMBA, KUDURO, AFRO-HOUSE AND BEYOND (distribution: September 27) takes us to  the street in Angola’s dense, smoggy, oil-booming capital city of Luanda. Peace came to Angola in 2002 after forty-two years of war, and now everything is different.
The postwar generation of the last ten years communicates via text-messaging and electronic music. Producer Ned Sublette checks out kuduro (literally, hard-ass) – the high-energy electronic dance music that dominates Luanda today, as well as the the zouk-like couple dance of kizomba, a phenomenon that began in the 80s and still packs in dancers to Luanda clubs, and, on a more underground level, the computer-driven style called Afro-House.
We’ll talk to musicologist Stefanie Alisch, who’s been studying the world of kuduro in Luanda this year; historian Marissa Moorman about kizomba and the early days of kuduro; transgendered whirlwind dancer and rap diva Titica, the first out-gay African music star; 21-year-old superstar Cabo Snoop, whose “Windeck” became a hit via Bluetooth; Coréon Dú, executive producer of the weekly kuduro TV program Sempre a Subir; the charismatic, comic hosts of that program, the duo of Os Namayer, better known as Príncipe Ouro Negro e Presidente Gasolina (Prince Black Gold and President Gasoline); DJ Satelite, a leading beatmaker and producer on the Afro-House scene; and Jó Kindanje, the Angolan writer who published the first book on kuduro.

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HIP DEEP ANGOLA 3: A SPIRITUAL JOURNEY TO MBANZA-KONGO (distribution date TBA). Today Mbanza-Kongo (Kongo City) is part of Angola, in the north where the Congo River divides Angola from the  Democratic Republic of Congo. When the first missionaries arrived there in 1491, it was the seat from which the Manikongo (king) ruled over a large area that reached to south of Luanda. It was a city of luxury, with perhaps as many as 60,000 people at its peak. To make this unprecedented program, producer Ned Sublette traveled to Mbanza-Kongo to rendezvous with Dr. Bárbaro Martínez Ruiz, professor of art and art history at Stanford.
We’ll learn about the simbi, the spirits that Martínez Ruiz describes as “the multiple power of god”; hear Antonio Madiata play the lungoyi-ngoyi, the two-stringed viola of the Kongo court; attend a session of the lumbu, the traditional tribunal of elders; listen to the voice of a deceased singer who took 500 years of genealogical knowledge with him when he departed; talk to a traditional healer; and meet Gabriel Bortolani, a Capuchin priest who has made a deep anthropological study of the area. With the help of historian C. Daniel Dawson and with Angolan composer and musicologist Victor Gama, we’ll examine Kongo-Ngola culture in the diaspora – in Brasil, Haiti,  Cuba, and more.

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HIP DEEP ANGOLA 4: THE CUBAN INTERVENTION IN ANGOLA (distribution date TBA). The twenty-seven-year-long Angolan civil war was also an international crossroads of the Cold War, involving Cuba, the Soviet Union, Zaire, South Africa, and the United States. When it was over, Namibia was independent, apartheid had fallen, Angola was a nation, and the Soviet Union had ceased to exist. Through music, interviews, and historical radio clips, this program will tell the story of Cuba’s massive commitment in Africa, tracing an arc from 1959 to 1991. We’ll talk to Piero Gleijeses, foreign policy specialist at Johns Hopkins University and author of Conflicting Missions: Havana, Washington, and Africa 1959-1976, and to Marissa Moorman, author of the forthcoming Tuning in to Nation: Radio, State Power, and the Cold War in Angola, 1933-2002, who will share with us rare archival recordings of radio broadcasts featuring the voices of Agostinho Neto, Jonas Savimbi, and others. We’ll talk to Cuban trovador Tony Pinelli, who traveled in a brigada artística playing music for Cuban soldiers and for Angolans. And from Cuba, Angola, Zaire, and Portugal, we’ll hear some of the music that accompanied the struggle.

HIP DEEP ANGOLA was produced with support from the National Endowment for the Humanities. A SPIRITUAL JOURNEY TO MBANZA-KONGO was supported by a 2012 Knight Luce Fellowship for Reporting on Global Religion. The fellowship is a program of the University of Southern California's Knight Chair in Media and Religion.


Saturday, September 1, 2012

Pasta Espaldarazo + Angola


Me, tonight, achieved the perfection of seasonal pasta.


:)

This is an achievement, considering the four-part History of Angola: Political, Cultural and Spiritual radio epic rules our life. 

El V is doing nothing but this, plus all the supporting content materials too.

The first program is recorded on Tuesday and airs soon after.

The programs should be finished before we leave on the 21st. This is hard hard hard work  But he's loving it passionately, no matter how draining it is.  That he can do this epic signifies a huge leap in his life's work. This is who he is: bringing together music with history and culture, history and culture that is part of this nation and all the New World's history and culture, returning to the source and root.

Nevertheless our personal culture was not neglected, our personal culture in which Saturday night pasta has a huge place.  As well as Phil Schaap on WKCR, Traditions in Swing -- which is, of course, this long weekend, Louis Armstrong.

Sometimes life is so good -- all the same elements that make for one's life's goodness coming together all at once at the same time.  This was the case when it came to dinner this Saturday night -- as is the case so many Saturday nights for us because we are among the world's most fortunate persons.  And we are deeply grateful. 

:)

Thursday, August 23, 2012

Afropop Worldwide Hip Deep Angola Blog Post - 1


The first of el V's blog posts for Afropop Worldwide is up on their site.

Spirit of Angola: Granular

Full entry here, with photos and video.  This is the first of a series.

Wednesday, July 25, 2012

Today Is Our Anniversary


I'm here.

He's there.

But he's getting on a plane in an hour to go to Heathrow, and then tomorrow afternoon he'll be here.

Whew.

The first thing he must do at getting home is put together a mix of New Orleans music for Alexander Cockburn's funeral. Which is hoped to be on Saturday, if the body can be shipped back here from Germany by then.

Monday, July 9, 2012

M'banza Kongo

Which is where el V is currently.  And happy as a clam in whatever clams are happy in!  Its air is clean, it's in the mountains, he's working with a great scholar at the Kongo Kingdom Museum there -- it's everything he dreamed it would be, but better.

It is also bare bones, i.e. not easy.  He's only the second scholar to ever go there, second after BM, who has been coming for years, who has walked all of Angola starting with the war when South Africa attempted to annex Angola for its own apartheid exploitation. Fortunately, this is an area where there are few if any land mines. BM really knows this country. So much is being lost, and will be gone forever within 3 or 4 years, when these seniors who are still playing instruments that people elsewhere have no idea exist.

These google images give a sense of where it is and what it is like.

Here's some history of the region.

I cannot post photos as he's currently sans a computer and connection.  We are still able to skype daily, at the very least.

Wednesday, July 4, 2012

In Luanda Someone Is Thinking of Me

First Skype call finally accomplished.

He described what it was like to fly along the Med coast from Tunisia, and then south.  He could feel the topography changes the plane encountered, from desert, to mountains, to jungle, to plateau.  This was topographical geography felt in one's body, not political geography.  This was a precious experience for one who has taught the geography of Africa.

I feel better now that we made voice contact.

Since he's gone for so long I've embarked on deep housecleaning.

Also writing / work resumes after the prolonged anxiety and chaos around this particularly mission's journey. I'm still anxious, but not so much now.

Wednesday, June 27, 2012

Outrageous!

A whole passel of el V's jazz musician buddies will be in Luanda when he comes back to the city from the northwest -- hanging out and playing gigs AFTER the city's big jazz fest, which he will miss, being out of Luanda.

When you're a musician you meet your friends all over the world, no matter where in the world you are ....

Friday, June 22, 2012

Angola, Packing For

A month's stay.

Not easy.


The August Marfa video shoot, though, got postponed.  Which is a good thing under the circumstances.

Thursday, March 1, 2012

Recipients of 2012 Knight Luce Fellowship for Reporting on Global Religion

USC Annenberg Announces Recipients of 2012 Knight Luce Fellowship for Reporting on Global Religion
Released: 3/1/2012 2:00 PM EST
Source: University of Southern California

Newswise — March 1, 2012 – The USC Annenberg School for Communication and Journalism announced today the recipients of the 2012 Knight Luce Fellowship for Reporting on Global Religion. Seven American journalists were chosen to receive stipends from $5,000 to $20,000 to report on religion around the world.

“The number and quality of the proposals we received demonstrate the variety of important stories that can be told about global religion,” said Diane Winston, Knight Chair in Media and Religion at USC Annenberg. “We identified projects that illustrate the impact of religion worldwide, from the political to the personal, and can be posted, printed, broadcast and published across media platforms.”

Stipends will support the following projects:
• Ned Sublette will travel to Angola and Haiti to report on the traditional religions of Kongo/Ngola as reflected in music. Sublette has made over a hundred radio documentaries about African-diaspora music for PRI’s Afropop Worldwide and Afropop Worldwide Hip Deep. He is the author of three books, including The World That Made New Orleans and Cuba and Its Music, and his reporting has appeared in DownBeat, American Legacy, Bomb, The Nation, and Smithsonian

• Damaso Reyes will investigate the growth of European Pentecostalism led by immigrants from former European colonies. Reporting from Spain, England and Ukraine, Reyes will examine how Charismatic faiths are growing while traditional European Christian religious observance continues to decline. Reyes is a photographer and writer whose work has appeared in The Wall Street Journal, Der Spiegel, and The Christian Science Monitor.

• Outlawed by Mao Tse-tung during the Cultural Revolution, religious expression is now legally tolerated in China. Peter Manseau will report on the variety of spiritual traditions flourishing there, including their opportunities and challenges. A visiting fellow at Washington College's C.V. Starr Center for the Study of the American Experience and writer, Manseau’s work has appeared in The Washington Post, The Wall Street Journal and on NPR’s All Things Considered.

• Hillary Brenhouse will report on the return of the Hindu Pandits to their ancestral homeland in the Kashmir Valley. Scattered to urban centers and refugee camps in the wake of a Muslim insurgency and anti-Hindu violence in 1990, many Pandits are now returning to rebuild their shrines and resurrect their faith. Brenhouse will investigate the revival’s social and political implications in India. Her work has appeared in TIME, Slate and The International Herald Tribune.

• Sarah Stillman will profile Father Alejandro Solalinde Guerra, a Catholic priest based in Ixtepec, Mexico, and the shelter he has established to safeguard Central American migrants who are routinely assaulted, kidnapped, and robbed by drug cartels while en route to the United States. Stillman’s award-winning international and domestic reporting has appeared in The New Yorker, The Washington Post and The Nation.

• Daniel Lovering will report on American missionaries who lead teams of relief workers into the war zones of Myanmar, also known as Burma, to provide medical supplies to civilians trapped by local fighting. Among the volunteers who support this new breed of missionaries are dentists, Iraq war veterans, and students from US Christian colleges. Lovering is a contributor to Reuters and The New York Times.

• Caitlan Carroll will explore Georgians’ attempts to revive sacred music that was muted during Soviet rule. Since gaining their independence, Georgian scholars, musicians, and patriotic young people have sought to revive the sacred songs of Orthodox Christianity. Carroll, along with photographer Andreas Reeg, will visit Georgia to explore the role of religious music in the area’s spiritual life. Based in Germany, Carroll’s work has been heard on American Public Media’s Marketplace, Public Radio International and Deutsche Welle.

Within the nine-month period of their fellowship this year, fellows will report and develop stories for delivery on multiple platforms. At the completion of their projects, one or two fellows will be in residence at USC to present their work, hold master classes for journalism students and give public lectures.


The Henry Luce Foundation was established in 1936 by Henry R. Luce, the co-founder and editor-in-chief of TIME Inc., to honor his parents who were missionary educators in China. The Foundation builds upon the vision and values of four generations of the Luce family: broadening knowledge and encouraging the highest standards of service and leadership. The Henry Luce Foundation seeks to bring important ideas to the center of American life, strengthen international understanding, and foster innovation and leadership in academic, policy, religious and art communities. The Luce Foundation pursues its mission today through a variety of grant-making programs; among these is the Henry R. Luce Initiative on Religion and International Affairs.

The Knight Chair in Media and Religion, established in 2002 by the John S. and James L. Knight Foundation, participates in a wide range of activities, including the organization of conferences for working journalists and the sponsorship of events for the local community. Dr. Winston addresses a host of issues surrounding religion and media through her writing and public speaking, as well as her development of coursework and symposiums. Through these outreach activities, USC Annenberg has begun to emerge as a hub for re-visioning how the press—and society itself—thinks about and reports on religion.
About the USC Annenberg School for Communication and Journalism

Located in Los Angeles at the University of Southern California, the Annenberg School for Communication and Journalism (annenberg.usc.edu) is a national leader in education and scholarship in the fields of communication, journalism, public diplomacy and public relations. With an enrollment of more than 2,200 students, USC Annenberg offers doctoral, master's and bachelor's degree programs, as well as continuing development programs for working professionals, across a broad scope of academic inquiry. The school’s comprehensive curriculum emphasizes the core skills of leadership, innovation, service and entrepreneurship and draws upon the resources of a networked university located in the media capital of the world.