LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Showing posts with label African music. Show all posts
Showing posts with label African music. Show all posts

Wednesday, June 15, 2022

Postmambo Seminars Presents

June 16, 8 pm Eastern, Postmambo Movie Night presents:


Elder's Corner, directed by Adesiji Awoyinka, who will join us on Zoom for conversation afterward. From the press kit:
    From the colorful, celebratory sounds of Juju to the politicized urgency of Afrobeat, Nigerian musicians have spearheaded some of Africa's most prominent musical movements. Oftentimes, their work formed the backdrop against which the nation blossomed. So what happened to the pioneering artists who rose to prominence during the country's halcyon years - and continued to endure when it faltered?
If you haven't been to a Postmambo Movie Night before, here's how we do it. It's easier to do than it is to describe. 

    1) We assemble on Zoom, then migrate as a group to Vimeo to watch the movie.  (I'll give you the Vimeo link in the Zoom chat.)

    2) Once we're on Vimeo, I give the 5-4-3-2-1 countdown, and we all start watching in sync. When it's over, we migrate back to Zoom.

==>Please be on time. (It's hard to sync you in if you don't start with us.) Log in before 8 pm Eastern, please.

This is really easy, but occasionally people who don't have experience with these platforms encounter problems. We don't want anyone excluded! If you don't think you have the tech savvy, or want to do a tech check beforehand, e-mail me and we'll get together privately and talk you through it. 

**************** HOW TO DONATE ***************
You don't have to pay to attend. Don't feel bad if you can't. But we can only continue if we are supported, so we very much appreciate your donation of any size. We're self-funding, so your participation is crucial. I suggest a contribution of $15 for this one event, or $150 to express ongoing support for the series, but we'll happily accept whatever amount you can donate.  Payment options:
1) Zelle. This is our preferred way to receive money, if your bank offers it. Tell them to send it to postmambo@gmail.com.  (It will ask you to confirm by showing you the name PLEAS.)

2) Paypal (be sure to check "sending to a friend" or else they charge a commission): ned@qbadisc.com

3) cashapp $nedsublette

4) Venmo @Postmambo-Studies

4) Paper check via USPS.  E-mail me and I'll send the info. 
Thank you if you have donated, y'all know who you are, and once again -- thank y'all for making our sessions possible.

* * *

July 14: Postmambo Sessions presents a conversation with Dr. Gerald Horne, Moores Professor of History at the University of Houston and author of more than three dozen books, including Jazz and Justice: Racism and the Political Economy of the Music (Monthly Review Press, 2019). I might also have to ask him about his new one, The Counter Revolution of 1836: Texas slavery & Jim Crow and the roots of U.S. Fascism (International Publishers, 2022).

August 11: Postmambo Sessions presents a conversation with T.J. English, historian of organized crime and devoted music fan who co-led our beyond-splendid 2019 Havana Nocturne Postmambo Cuban Music Seminar based on his best-selling book of the same name. We'll talk about his brand-new title (pub date Aug. 2) Dangerous Rhythms: Jazz and the Underworld.

* * *
Come with us!  There's still time to join us, but it's coming up soon.  August 15-22: Postmambo is off to the Pacific region of Colombia for the Postmambo Colombian Music Seminar with co-host Dr. Michael Birenbaum Quintero. It's time to register and book that flight.  Trailer here: https://www.youtube.com/watch?v=K-Xk-CQGtMA

Feb. 1-6, 2023: For the Funk Of It, live in New Orleans. Registration is open now. Write me . . .

* * *

Wednesday, September 8, 2021

I Say, You Say, They Say, All Say "Abbott (Who Needs Costello)"

 


Why, yes, as we say, say we all, so says AOC

He is not familiar with a female body

Cortez went on to explain the basic biology surrounding pregnancies, and that many pregnancies are often undetected at six weeks. She said: “In case no one has informed him before in his life, six weeks pregnant means two weeks late on your period. And two weeks late on your period, for any person with a menstrual cycle, can happen if you’re stressed, if your diet changes, or for really no reason at all. So you don’t have six weeks.”

Cortez added: “He speaks from such a place of deep ignorance, and it’s not just ignorance. It’s ignorance that’s hurting people.”

Recall the New York woman who waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaay back in the day said, "If men got pregnant abortion would be a sacrament."? That was Gloria Steinem They (the blobmedia) was determined to tell us, but Steinem said it was Floryence Kennedy who said, she had heard it in Boston from an elderly Irish lady taxi cab driver.




And even further back than that in New York there were Susan B. Anthony and Cady Stanton.  The staging of Gertrude Stein and Virgil Thompson's opera re Anthony, The Mother of Us All in February 2020, was the last time I've been there.  Sigh.

~~~~~~~~~~~~~~

     . . . .  Brain's been in a funk the last several days.  I hope I'm coming out of this state in which I just don't wanna bother because why bother?  A weekend without a hurricane, without a hurricane watch, without a hurricane, all of which were disasters to so very many of our near and dear, after three in row, has helped. El V insisted we Go Out to observe our Carnalversary, which is Labor Day Weekend (why yes, that was a date that lasted the entire long weekend!) helped too.  There's just been so much death, delta, destruction, voter suppression, and all around wickedness in the last few weeks that my processing capacitors seemed to have needed to shut down for a while.  All I want to do is watch old Poirets on Acorn tv and read novels.

Books, we have them.  I brought home two from the library this afternoon.

I'm going to re-read Sharon Kay Penman's second Plantagenet novel Time And Change (2002), now I've finished the re-read of When Christ and His Saints Slept (1995) -- well that one I listened to while working out.  This one I'll read with mine own eyes. Henry II and Eleanor have courted and married, he's become king.  In this second novel Henry and Beckett's alliance-friendship fails in murder; Henry and Eleanor's brilliant erotic, romantic, strategic marriage alliance of equals goes to hell yet with love abiding. Can there be anything more dramatic that that?

The second novel I brought home is The Personal Librarian (2021) by Mare  Benedict and Victoria Christopher Murray. This historical fiction is centered upon the mixed race, passing for white, brilliant woman, who was John Pierpont Morgan’s first librarian, in charge of his magnificent collection in the building that is now the Pierpont Morgan Library.  I've been looking forward to reading this novel since late spring / early summer.

Delivery brought three non-fiction books today too.  

Toby Green's A Fistful of Shells: West Africa From the Rise of the Slave Trade to the Age of Revolution (2019) a history of the African slave trades -- not only the Atlantic slave trade.  I wish we'd had this book back when we were writing the bodies as money sections of The American Slave Coast (2015).  



We received Ada Ferrer's latest book, just released, Cuba: An American History.  We will not be suprised if she gets the Pulitzer for it. She's speaking tomorrow night at a NYPL event, but tomorrow night is Postmambo Movie Night, so we cannot participate.

September 9 and 16, 2021

NOLA Reconnect Sessions and Postmambo Movie Night present
 
Cuba and Africa: Ivor Miller and The Rumba Kings [Some serious Congo Guitar Godding going on' here! ]

The bidirectional flow of music between Cuba and Africa, with Abakuá and Congo perspective

And, a book that can't be more New York if it tried, Reign of Terror: How the 9/11 Era Destablized America and Produced Trump (2021) by Spencer Ackerman. OK, so it's not just about New York, but it is stuffed with what we experienced up close and personal.


~~~~~~~~~~~~~~~

      . . . . As for watching, I'm continuing with King of Boys (2021), Season 1, Netflix Original and the re-watch of The Last Kingdom, 4 seasons, the best 'period' television going. 

Brain, heart, soul in funk though, so bad has it been, that I missed working out one day last week, I keep wanting My Life Is Murder, season 2 (2021), in sunny, colorful Sydney, featuring Lucy Lawless as police consultant, Alexa Crowe.  In the latest episode we here learn that even if successful enough for Las Vegas, Sydney? New Zealand? drag queens cannot compare to the stunning, talented, spectacular drag beauties we are used to. Also, by time the drag duet was to go to Las Vegas, Las Vegas was closed, but they evidently didn't know that, even though Alexa's assistant, Madison called Vegas to learn for who rooms were booked. 

Thus -- I'm most confused.  Supposedly they are now somewhere in New Zealand ... for ... reasons? Family?  But it still looks like Sydney.

We  learn Alexa has a brother in prison and her father was something of a crook and con man -- just like Miss Fischer's dad!  The bro is played by the dude who plays Sam on Netflix's northern California soap opera, Virgin River. He isn't convincing as an Aussie, New Zealander, whatever.  


Alexa and Madison


They Say that Renee O'Conner will show up in one of the episodes, so Xena fan service, I guess? Alas, only a single episode released per week, just as with Vera's season 11. So I began re-watching the earlier BBC Suchet Poirots too. 

~~~~~~~~~~~~~~~

     . . . . This afternoon I officially began preparing for the long cold winter ahead.  I have discovered REI Co-op, an outdoor activities store.  This means they carry some serious cold temperature kit.  I started with the over the calf heavy duty merino sox, with extra layers on the soles.  I'll pick up more items like caps and more sox, particularly for el V in the next few weeks, as it couldn't be more convenient to do so, located between here and one of the library branches where I pick up ordered materials.

Keep on truckin' all we all!  




Thursday, September 13, 2012

*Hip Deep Angola* Premieres

The first episode goes up today and will be available at www.afropop.org

It will air on WNYE 91.5 FM in New York Saturday at 11 p.m. and Monday at noon.

You can also hear it (right now) at
http://soundcloud.com/afropop-worldwide/hip-deep-angola-part-1-music


[Sorry -- the photos didn't come through in the press release, cut and pasted below. ]


* * *


PRESS RELEASE 
September 13, 2012 
Afropop Worldwide 
info@afropop.org / 718-398-2733

HIP DEEP ANGOLA TO AIR
FOUR-PART RADIO SERIES BEGINS IN SEPTEMBER

Premiering in September and continuing in four episodes through November, AFROPOP WORLDWIDE’s HIP DEEP ANGOLA will present an unprecedented exploration of the history and contemporary reality of this southern African nation -- a story told in music.

Angola is not an easy place to report from even now, but until recently, it was almost impossible. From 1961 to 2002, it was at war on its own territory, emerging with little in the way of infrastructure. Now, fueled by oil revenues, it’s undergoing a massive national construction project unlike anything else in the world.
Produced by HIP DEEP co-founder Ned Sublette, who traveled to Angola in July, and featuring commentary by leading musicians and distinguished scholars, HIP DEEP ANGOLA will air on public radio stations around the  country via Public Radio International. (In New York City it airs on WNYE, 91.5 FM, on the Saturday following distribution date at 11 p.m., and again on Monday at 12 noon.) It’s available streaming as of the distribution date at www.afropop.org.

1
HIP DEEP ANGOLA 1: MUSIC AND NATION IN LUANDA (distribution: September 13) explores the role music played in the creation of a uniquely Angolan consciousness as the country struggled toward independence in the 1960s and ‘70s after centuries of colonialism. Our guide will be Dr. Marissa Moorman, historian of southern Africa and author of Intonations: A Social History of Music in Luanda, Angola from 1945 to Recent Times.
On the ground in Angola, producer Ned Sublette talks to critic and musicologist Jomo Fortunato, and to guitarist and bandleader Carlos Vieira Dias. We’ll hear the pathbreaking Ngola Ritmos, who dared sing songs in Kimbundu publicly when it was prohibited by the Portuguese. And we’ll hear the voices of Teta Lando, Urbano de Castro, Artur Nunes, and Luis Vizconde, from the age when the guitar-driven style called semba ruled, as well as some snazzy ‘60s guitar instrumentals. We’ll also check in on the new generation of semba, via Paulo Flores and Yuri Da Cunha.

2
HIP DEEP ANGOLA 2: 21st CENTURY URBAN ANGOLA: KIZOMBA, KUDURO, AFRO-HOUSE AND BEYOND (distribution: September 27) takes us to  the street in Angola’s dense, smoggy, oil-booming capital city of Luanda. Peace came to Angola in 2002 after forty-two years of war, and now everything is different.
The postwar generation of the last ten years communicates via text-messaging and electronic music. Producer Ned Sublette checks out kuduro (literally, hard-ass) – the high-energy electronic dance music that dominates Luanda today, as well as the the zouk-like couple dance of kizomba, a phenomenon that began in the 80s and still packs in dancers to Luanda clubs, and, on a more underground level, the computer-driven style called Afro-House.
We’ll talk to musicologist Stefanie Alisch, who’s been studying the world of kuduro in Luanda this year; historian Marissa Moorman about kizomba and the early days of kuduro; transgendered whirlwind dancer and rap diva Titica, the first out-gay African music star; 21-year-old superstar Cabo Snoop, whose “Windeck” became a hit via Bluetooth; Coréon Dú, executive producer of the weekly kuduro TV program Sempre a Subir; the charismatic, comic hosts of that program, the duo of Os Namayer, better known as Príncipe Ouro Negro e Presidente Gasolina (Prince Black Gold and President Gasoline); DJ Satelite, a leading beatmaker and producer on the Afro-House scene; and Jó Kindanje, the Angolan writer who published the first book on kuduro.

3
HIP DEEP ANGOLA 3: A SPIRITUAL JOURNEY TO MBANZA-KONGO (distribution date TBA). Today Mbanza-Kongo (Kongo City) is part of Angola, in the north where the Congo River divides Angola from the  Democratic Republic of Congo. When the first missionaries arrived there in 1491, it was the seat from which the Manikongo (king) ruled over a large area that reached to south of Luanda. It was a city of luxury, with perhaps as many as 60,000 people at its peak. To make this unprecedented program, producer Ned Sublette traveled to Mbanza-Kongo to rendezvous with Dr. Bárbaro Martínez Ruiz, professor of art and art history at Stanford.
We’ll learn about the simbi, the spirits that Martínez Ruiz describes as “the multiple power of god”; hear Antonio Madiata play the lungoyi-ngoyi, the two-stringed viola of the Kongo court; attend a session of the lumbu, the traditional tribunal of elders; listen to the voice of a deceased singer who took 500 years of genealogical knowledge with him when he departed; talk to a traditional healer; and meet Gabriel Bortolani, a Capuchin priest who has made a deep anthropological study of the area. With the help of historian C. Daniel Dawson and with Angolan composer and musicologist Victor Gama, we’ll examine Kongo-Ngola culture in the diaspora – in Brasil, Haiti,  Cuba, and more.

4
HIP DEEP ANGOLA 4: THE CUBAN INTERVENTION IN ANGOLA (distribution date TBA). The twenty-seven-year-long Angolan civil war was also an international crossroads of the Cold War, involving Cuba, the Soviet Union, Zaire, South Africa, and the United States. When it was over, Namibia was independent, apartheid had fallen, Angola was a nation, and the Soviet Union had ceased to exist. Through music, interviews, and historical radio clips, this program will tell the story of Cuba’s massive commitment in Africa, tracing an arc from 1959 to 1991. We’ll talk to Piero Gleijeses, foreign policy specialist at Johns Hopkins University and author of Conflicting Missions: Havana, Washington, and Africa 1959-1976, and to Marissa Moorman, author of the forthcoming Tuning in to Nation: Radio, State Power, and the Cold War in Angola, 1933-2002, who will share with us rare archival recordings of radio broadcasts featuring the voices of Agostinho Neto, Jonas Savimbi, and others. We’ll talk to Cuban trovador Tony Pinelli, who traveled in a brigada artística playing music for Cuban soldiers and for Angolans. And from Cuba, Angola, Zaire, and Portugal, we’ll hear some of the music that accompanied the struggle.

HIP DEEP ANGOLA was produced with support from the National Endowment for the Humanities. A SPIRITUAL JOURNEY TO MBANZA-KONGO was supported by a 2012 Knight Luce Fellowship for Reporting on Global Religion. The fellowship is a program of the University of Southern California's Knight Chair in Media and Religion.


Monday, July 9, 2012

M'banza Kongo

Which is where el V is currently.  And happy as a clam in whatever clams are happy in!  Its air is clean, it's in the mountains, he's working with a great scholar at the Kongo Kingdom Museum there -- it's everything he dreamed it would be, but better.

It is also bare bones, i.e. not easy.  He's only the second scholar to ever go there, second after BM, who has been coming for years, who has walked all of Angola starting with the war when South Africa attempted to annex Angola for its own apartheid exploitation. Fortunately, this is an area where there are few if any land mines. BM really knows this country. So much is being lost, and will be gone forever within 3 or 4 years, when these seniors who are still playing instruments that people elsewhere have no idea exist.

These google images give a sense of where it is and what it is like.

Here's some history of the region.

I cannot post photos as he's currently sans a computer and connection.  We are still able to skype daily, at the very least.