LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Wednesday, July 20, 2016

Did Himself Bring Home To Me A Box of Chocolate Truffles?

Charles kills Manfred. Of course  Manfred wasn't killed like this, in a duel.  He did die in the battle, but just how remained mysterious.

No it wasn't a box of chocolate truffles, but something that operates with me just like,  as Himself put it, "a box of chocolate corrupts someone who is on a diet."

I'm supposed to be working on popular culture, politics, etc. from the end of the War to Southern Rebellion to the erasure of slavery, revision of history, etc. and the Rise of the Glorious Lost Cause.  I'm supposed to be reading reams of African American newspapers.  And, btw, this stuff is supremely depressing, as depressing as our current national events horror movie, the roots of which are all in it.

So what does el Vaquero do?

"Hi, look what I found that I bet you're gonna like!!"



It's The Sicilian Vespers: A History of the Mediterranean World in the Later Thirteenth Century by Steven Runciman,. This classic work of history of this period of Sicilian history was first published in 1957 by Cambridge University Press, and reprinted now for the 10th time (2012).  I cannot keep my hands off it.  I'm devouring all this detailed history of the conflicts among the Roman Popes, the eastern Empire, the Arabs, the Holy Roman Empire and its emperors, the French kings, the parade of Henrys, Conrads, Tancred, Manfreds, Fredericks, the Norman kings of Sicily, the marriages with Portuguese and English princesses, Spanish invasion of Italy, crusades and Mameluks. Even more complicated the wars of the Guelphs and Ghibellines are involved so all these personages are in Dante's circles of hell too.  And, la the pièce de résistance -- the MONGOLS!  Ooo la lah, things were a'poppin' in the 13th century.  And Sicily was right in the center of it, as Sicily is the stepping stone between Europe and Africa, between west and east.





Church of the Holy Spirit in Palermo, site of the Vespers Uprising.

As for what are -- or rather what was the Sicilian Vespers, and why it matters -- it was the rebellion of Easter 1282, in which Sicily got rid of -- slaughtered - 3000 French.  But ultimately all this was about the war between the Hohenstaufans and the Pope for control of Italy.  This was called the War of the Sicilian Vespers.


So many incredible characters, so many amazing deeds, many of which were downright evil, and a few heroic.  No wonder there are operas made of them; see, for instance Rossini's Tancredi.

My friend, who also is my hair person. has relatives in Sicily.  She, who is not that much interested in history in general, knows of The Vespers.  We dreamed together yesterday of going to Sicily together.  I've never been there, and neither has she.

Reading this book, it's like going on vacation, but safely, into the very unsafe time and place of 13th century Mediterranean life.


Tuesday, July 19, 2016

Horror Movies

In the grand tradition of this nation since 1619 when it was just the Virginia Colony, these people steal from black people.  Or as -- I'm paraphrasing -- black twitter says, "Ya want something good ya steal it from a black person."

Just like the Turtles tell the thug to cease and desist using their "Happy Together," just like Queen telling the thug to not use "We Are the Champions," just like the lady who doesn't want to give up home so the thug can build a casino, the thug just takes it anyway.

And then -- then! the thug has the a$$hatne$$ to blame -- Hillary Clinton! When the First Lady worked on that 2008 speech the thug stole from with Hillary Clinton's speech writer.

Not to mention also stealing without attribution from black activist Marva Collins.

Then the rickroll.

This country is being scripted by Terry Southern, Stanley Kubrick (Magic Christian; Dr. Strangelove) and Gore Vidal (Myra Breckinridge).

Beyond disgusting.



Gads, the women involved with Michelle Obama's 2008 Dem Nom Convention speech, Hillary's speech writer, the First Lady herself, must feel the way the ghostbusting women felt when slimed.

But -- who we gonna call?


Monday, July 18, 2016

The American Slave Coast - Audio Version

The audio package of The American Slave Coast: A History of the Slave Breeding Industry is now available.


Cover for the audio cd package of The American Slave Coast


Tantor Media's art department did a nice job adapting Slave's Coast's hardcover cover for the audio package.

We'll listen to at least some of it in the car as we take our long weekend wedding anniversary jaunt down to Thaddeus Stevens and the Gettysburg National Park area of Pennsylvania this coming weekend.  That should be interesting to hear these words in a voice that isn't ours.  The reader for Slave Coast is excellent.

In the meantime the reviews on amazilla for Slave Coast now number 59 -- almost all of them 5 stars.

Sunday, July 17, 2016

Cornwell's Saxon Tales on BBC: The Last Kingdom, season 1

   The Last Kingdom's first season is streaming from netflix as of the 10th.  The source material for this series is Bernard Cornwell's historical fiction series about a Saxon brought up as a Danish warrior and the last kingdom standing from the Danish invasions of the 9th century, Wessex, ruled by King Alfred.

England in contemporary mind may be small, an island, but the large variety of locations provide a sense of expanse and openness. One feels how long it takes to get from just one part of Wessex to another.  This is quite in contrast with the almost claustrophobic sensibility of some others of the current action adventure historical or fantasy television series. Nor does it feel rushed in the story and plot. The first episode's battle in which the child Uthred's father is killed, meat grinded down between two shield wall lines, was spectacular. The actors playing both Uhtred's father, Matthew Macfadyn, and the child Uhtred, Tom Taylor, were very good.

Uhtred
As for Alex Dreymon, who portrays the adult Uhtred, true he isn't Travis Fimmel, who is unique in his Ragnar (the lead in the History Channel's Vikings). But Alexander Dreymon is his own man, and he is making Uhtred his own convincing man, who must learn self-control in order to survive and fill his quest, to regain his kingdom of Bebbanburg, which is lost early in the first episode., with his father's death at the hand of the Danes who capture the child Uhtred and raise him as one of their own.

Alfred
King Alfred about to give his No Mercy speech prior to the Final Battle.
So far the real stand out is David Dawson,* the actor playing Alfred. Dawson's Alfred is a full human being, and he is kingly, someone we have to respect. David Dawson has made Wessex his, and the Last Kingdom his too. The scenes in which Dawson and Dreymon must play against each other, followed with other scenes in which they are in concord, are pure viewing pleasure.

Without someone as convincing in this lynchpin role as Dawson, The Last Kingdom wouldn't work on all sorts of levels. But particularly it wouldn't work because there wouldn't be a plausible foil for Uhtred, thus Uhtred would lose stature and plausibility.

We had to have an actor who can do all this because in the books Uhtred tells the reader all this, but on screen this isn't possible.  Or if it is possible, it would have been a bad move. The viewers couldn't possibly be as wide-eyed involved if Uhtred is doing all this in voice over as they ride and they fight or spar verbally in court.  It makes absolutely clear that there cannot be great men -- Uhtred -- without a Great Leader who knows what to do with Great Men, or even Great Men in the Making -- Alfred.

The referencing of burning the bannocks during the swamp sojourn was just right -- not too brief, but not making much of it, and perfectly plausible, while also telling us a great deal of how these royals had to live within a much more egalitarian society than in their court and courtly entourages. Everyone had to pitch in, though naturally not everyone was equally capable in performing all the duties.

Then, in contrast, Alfred's determination for a decisive big battle with the Danes, to make or break his further survival and that of Wessex. brings back the King. The tiny flickers of expression of pleasure, amusement and interest around his mouth and in his eyes listening to the men exchanging their manly scatological banter, in which even the priest Boecca participates, as they ride to battle. For once Alfred, frail of body, feels himself a part of this fundamental experience of his world, of men riding to battle.  In the battle himself, he burns with joy. Other moments when he notes the men and women scoring verbally against each other and even himself -- one sees that all this religious talk wasn't just pious -- it was a terrific matter of recreation and interest in world in which amusements had to be made individually and socially, no movies or tv etc.  This runs throughout the season on all sides, whether pagan or christian, everyone is discussing and arguing about religion and magic.

King Alfred’s before-battle, rev ‘em up speech was brilliant.  It makes that other much vaunted attempt in another series look like just what it was -- totally silly, and additionally so as it was delivered in a variety of faux accents wandering all over a variety of languages that  never existed. Earlier, Uhtred had advised Alfred that the speech he was planning to give before the Final Battle was a sermon, and that was no way to get men ready to kill and die for him. It's a time for the body not for heaven. Earlier the priest Beocca advises Alfred to make a physically personal appeal, a laying of hand on shoulder, a look squarely into the face and eyes, of the messengers he's sending out to appeal to the Saxon lords to bring their men to this Final Battle.  Alfred is not only very intelligent and capable of continued learning, he has good advisers. Without preaching any sermons this final episode, dramatizes why King Alfred  was a success as a ruler who unites the Saxons and pushes back the Danes, and becomes 'the Great' in history. The Final Battle was great! ** Very good script writing that understands the source material.

King Alfred and Queen Aelswith

The women are all good, particularly Eliza Butterworth, who plays Alfred's queen, Aelswith. She's not sympathetic surely to most members of a contemporary audience, but it seems she wasn't sympathetic to many of those who knew her in her own day.  But she doesn't play as a fool either. She's a narrow-minded religious woman who knows her place in the world and will not deviate an inch from it, other than in temper -- breaking the social and religious dictate that women are never to be angry, never to raise their voice and never attempt to tell a man what to do.  I believe we know people like this even now . . . .  She is sincerely, not hypocritically, an early medieval world Christian, beset on all sides by pagans, who are Satan's minions.

This aspect of the series I also find entertaining, as in the books: seeing the various characters, all of whom are very sharp-minded, spar with each other over religion. It's another dimension of the series that portrays all these people within their time, all of them very smart, the cream of their society, and fully alive-O within it.

I was quite glad they moved so quickly during the Uhtred's childhood. Thus we can begin experiencing what becomes his life-long conflicts of loyalties, conscience, honor and inclination.  It was splendid how quickly, seamlessly is introduced for what the book readers know will become a struggle too for Uhtred, achievement of literacy. This wasn't a filler scene in the least.  There were no pointless scenes that don't lead us somewhere, unlike, alas, what has happened with too many of our previously well-regarded series.

Danish warlord Guthrum, fascinated by Christianity

Dane warlord Scropa, not fascinated by Christianity
 
Ragnar, Uhtred's Danish brother.
I'm wondering if this is partly because of how efficiently the author of the source material (the books) presents all the content in each book of his series? He's already had deep experience of his very long Sharpe's series as a long-running, continuing BBC series. This would also mean the showrunners don't need to concern themselves with endings or what will happen.

As far as aging the actor though --if I remember the location correctly, there was a scene outdoors in the firelight, with Uhtred and I think the woman Brida,  in which his face is leaning over hers, and by the firelight and other lighting, he looked decades older. So aging these young actors going forward might not be as much a problem as it might be.  Uhtred's already being subtly aged with tiny, unremarkable changes in facial hair. His face was always bare of hair, until there's a patch on his bottom chin. A couple of episodes later, there's a mustache. Beyond this, when Uhtred goes berserker in the Final Battle with the death of his lover, his face becomes the well-seasoned, elder face of the terrible, cynical and very clever and experienced warrior Uhtred, who has been in many battles and killed many people.

But I'm still quite breathless at how sure-footed in almost all parts this season was with the exception of the costuming. Which, since they are doing the aging of the actors so well, makes it seem all the more odd that the Uhtred's and Brida's clothes are so often so contemporary -- it's the structure of the jackets and the sleeves that particularly stands out here.  The costumers' choices here look all too contemporary -- most non-early medieval. There is one other bit that seemed a bit wrong-footed: the battle to death decreed by King Alfred between Leofric and Uhtred. It was interrupted by a Danish invasion that was almost too deus ex machina. But this is a world in which God's decisions are totally believed -- and of course, there is God the Novelist's compositional choices from the source novels.

Queen Iseult in the swamp
But more than making up for this was Queen Iseult and Uhtred's love making under the trees and stars. No ripping of the clothes, no throwing things around and on the table, no screaming and shouting, yet passion melting with enormous tenderness and love and healing. And this doesn't happen in a mosquito-ridden swamp, but in a dry aired forest. After their love-making there is caressing, talking, holding, loving.  It almost brought tears. There is a purpose to this sexual love scene. Later on, we see them sitting together, entwined in each others arms, while "the boys in the swamp" discuss matters. Iseult makes a good luck charm of his and her hair, o that was just lovely.  It also is what we remember when Uhtred goes berserk.

That I spent so much on Alfred and Uhtred should not take away anything from all the other characters. Let's see, there's also Our Fool -- every royal family has one, right? -- the king in his own mind that should be, Aethelwold. He's a great character  They all are!

I am happily anticipating the next season.  But, who knows?  I liked the first novels in the series best.

---------------------------

* Interesting for me personally is that Dawson's played roles in all sorts of my favorite series starting (for me in terms of the series I watch/ed) with The Mystery of Edwin Drood and The Hollow Crown in 2012.  He's been in Ripper Street, Dancing on the Edge -- even The Borgias and Peaky Blinders.  The Last Kingdom must be his breakout role.  All of these with the exception of The Hollow Crown are also available streaming on netflix.

The Final Battle
**  All those overhead shots brought to mind how much money in the budget has gone for helicopter or small plane shots, whether battles or as in the very last scene of the final episode, the three riding north.  So BBC didn't stint on the budget.  But to keep this up, particularly after Brexit, BBC needed a cash infusion from elsewhere, which turns out to be netflix, which is co-financing season 2.

Tuesday, July 12, 2016

Trifecta Win for Discrimination!

Female, black, not skinny (but certainly NOT overweight! Not even!).


We are making a party to see the Ghostbusters reboot Friday. 

Leslie Jones is a favorite in our house, btw. We cite her in The American Slave Coast at one point for one of her first sketches when she joined SNL.

Monday, July 11, 2016

Take A Little Trip! Ride Ra's Solar Barge: Gods of Egypt (2016)

Gods of Egypt almost went straight to video. Probably it was saved from that fate and actually had a global theatrical release back in February because, shot in Australia, their tax liability was zero, and all costs were reduced by 40 - 50 %.  So though it was a box office bomb and disappeared immediately, it actually took in sales of a single million over the production cost.


Even before the film was finished critics from around the world lambasted the producers for casting such a white bunch of actors for something set in ancient Egypt. The reviewers unanimously found the film risible, which is understandable, but -- maybe they missed the parody?




This flick is visually so over the top that it's gloriously entertaining.


Khepri, the scarab / dung beetle, is associated with Ra; as Khepri faithfully rolls his ball of dung across the earth as Ra's barge ferries the solar disc daily across the heavens. Thus Khepri is God of rebirth, the sunrise and scarab. Ra's aspect in the morning. I couldn't find an image of the scarab from the film.  Damn.  It was so cool.

We even get to see chariots pulled by giant scarabs.

Ra on his Solar Barge, engaging in his daily battle against Apep or Apophis, the monster of chaos.  I have not been able to find an image of the film's Solar Barge, and am very sorry.  It is magnificent.
The greatest achievement of all is Ra and his Solar Barge. In fact, the Solar Barge and Ra are astounding. It's quite imaginative in exactly the way in the first half of the 20th century children's picture books of the gods might well have portrayed it and Ra,

Thoth, god of wisdom, writing, memory, libraries, has such a huge brain that while recording the world's knowledge in his library there are countless Thoths. Multi-processors -- Egypt, totally up-to-date when the rest of the world lived in caves!

It takes a while to understand what this action adventure flick is: it is (almost) a parody of the action adventure superhero comix flix, employing humanity's first superheroes, the gods and goddesses of Egypt. The story line follows fairly thoroughly, though updated, and reduced to graphic novel dimension, while referencing contemporary superheroes such as Iron Man --  the Egyptian Book of the Dead journey, and Egyptian founding gods’ mythology.

I.e. the simplistic formula of Joseph Campbell's hero’s journey, which is the plot of Gods of Egypt -- Horus must mature and learn what being hero means.

See! Scarabs! In the background!  I did not make them up!


However, one does suspect this happens out of desperation rather than having any idea of what anybody involved was doing or thought they were doing. It's hilarious to see the god Horus become Iron Man, except Horus, being an Egyptian god, he's the element of gold, of course. The Egyptian gods don't have blood, which is what distinguishes them from humans. They have gold in their veins instead.

I thoroughly enjoyed this silly thing. Though I’d never have spent the 18 bux at a cinema to see it, it was just fine to pass the time streaming from netflix.

One does wonder what the cast thought . . . a couple interesting figures in it -- Coster-Waldau and Rufus Sewell.  One can see that if the studio seriously expected this thing could become a franchise they had to be disappointed.  But how could they have thought any such thing?  Making it a parody of superhero comix must have been something pulled together in the editing studio in hopes of at least not embarrassing the project too badly.

Sunday, July 10, 2016

The Party Couldn't Have Been Better

   The weather had changed drastically from Friday's so hot-and-humid-all-day-and-night at some point, with a bit of rainfall and temperature dropping into the 60's. So it stayed cool and damp of yesterday and last night and still is, at least at the moment, about noon on Sunday. This was not what They Said it was to be, of course. 

However, though it was misty and cool, while we were ate, talked, sang and danced on the West Village rooftop, it never actually rained until right at the moment el V and I got out of the cab coming home -- and then it poured. But not a thunderstorm. 

The attendees were just as wonderful as on the bus and hotels and restaurants and music events in Cuba, back in January. Even more so, maybe. One way and another everybody who was on the January trip, wherever they live, managed to make it to the Birthday BBQ Reunion, with the exception of only three -- one from Atlanta, another from California and one from North Carolina. 

Just as in January, the party operated as an integrated group. People fell together in teams to help bring food up to the roof, to taken things back down to the kitchen and to clean up. The hosts, who had done so much work all week preparing for the party, at least didn't have to have clean-up. What so impressed me is there was no discussion about it.  People just Did It.

The people who are partnered, but whose spouses, fiancés, fiancées, boyfriend, girlfriend etc. weren't on the Cuba trip, brought them to the party. Guess what? Their spouses, etc. were just as interesting and cool as the Travelers themselves. 

Another way to put is this was a party of people who couldn't be more different than this (from the New York Observer).

I did have a lot of trouble hearing, but so did others -- who were getting over or suffering the same thing I am. But my coughing -- just about entirely gone - YAY!  So I had a wonderful time too.
Nor were the terrible events of the week ignored. That was another thing -- there wasn't a single person there who is a secret or semi-racist in any way. These are people whose outlook is international, cosmopolitan, compassionate, empathic, generous and kind.



As well they are very talented. For instance, several are in performance productions that are scheduled for Scotland's annual International Fringe Festival -- and are touring with their groups about the east coast in preparation for their heading over to Edinburgh in August. For another example, most of the musicians are playing a gig at Lincoln Center one night or week in August (all separate engagements).  A lot of us will be in attendance those nights.





One of my personal favorites among the guests is someone I see often as G lives here (and knew him long before January 2016).  G's a lawyer who
 made so much money practicing corporate law he quit, mostly, keeping only a few very lucrative private clients.  He's passionate about Latin music, particularly Cuban and Puerto Rican salsa.

Currently he's in the process of getting a doctorate in the history of the Scottish Enlightenment. He's been taking classes so far via internet from the University in Edinburgh, and at Harvard. But next winter he's going to go live in Edinburgh for about 7 months and do f2f course work with tutor/advisors. We have such terrific conversations about history -- and last night about the 18th century philosophers, during which we said nice things about Hume, bad things about Kant, and were so-so about Berkeley. I had quite a few very bad things to say about John Locke and his personal contributions to theconstitution of the colony that became South Carolina. Except for Locke, the facts of the matter is that I myself really don't understand these guys. But G is so good at explaining and so passionate about them I sometimes think I do! G's honed legal mind is perfect for 18th C philosophers.


Times Square 1975.


Another of my personal favorite friends in the group is BL. H also lives here and I've known him and his wife, a brilliant public television documentary film maker, for many years by now. B reached out to us the year The World That  Made New Orleans was published, which became one of the Treme cast and crew's bibles. David Simon was just getting serious about making Treme at that point. B's the music director - supervisor for most of Simon's stuff since The Wire.  Now B's working on DS's new HBO series, The Deuce.  They've recreated the 1970's Time's Square uptown, and we're supposed to come and visit.  B said, "Once Deuce is finished you will be as educated into the sex industry as you got educated in the drug industry by the end of The Wire." He jhrugged, turned up hands and kind of laughed.  What can ya do?  It's David S!


So many other terrific conversations as well, including several with S, about various matters including and his intense experiences with whales and dolphins off the coast of California, from which trip he'd just returned. As per usual when S and I are together, at some point we talk about Foyle's War.



During the year when the cancer came back and nothing more could be done medically, and S's beloved, beloved wife A was dying, they watched Foyle's War. S still doesn't know why A fixated on that series through the haze of the heavy duty drugs. But that was all she wanted to watch, and he said, "She wanted it, she got it.  It was so little that I could do. I'd get in bed, hold her in my arms, and we watched Foyle's War.  For A, each re-watch was fresh and new." S still doesn't know if that was due to the drugs or the cancer itself.  But e
very time they finished up the 9 seasons she insisted they start all over from the first episode of the first season to the end, and then start all over again.
She died in February 2015. 

The Cuba trip a year later was what allowed him to come alive again, he says.He didn't have any idea this would happen.  It was just something to do to fill up his empty life. But it ended reconnecting him with life on so many levels, even as with every new person he met and and made friends with, he thought of just how much A would have loved it all herself.

But then, S is an awfully terrific, vital person himself.

I'd never had any interest in watching Foyle's War myself, until hearing him tell me about watching it with A while she was dying. And I still didn't. Nevertheless, after coming back from that January Cuba trip and S's and my conversations there, I watched Foyle's War myself, in solidarity with my new friend S and memorial to his A, who by all the many and varied obits of her, was a most wonderful, special and talented human being.

These are the kinds of friendships that get forged on el V's Cuba trips.

I feel so much better. I can't wait for the ears to clear up. I'm going back to an ENT person this week.