LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Showing posts with label writing. publishing industry. Show all posts
Showing posts with label writing. publishing industry. Show all posts

Thursday, August 13, 2020

Andrew Lang: Our Companion for Fairy and Adventure

     . . . .  Andrew Lang, editor of the multi-volume Fairy Tale series, labeled in colors, is the subject of a piece by Michael Dirda in the WaPo (pay wall). 

Why have I never thought of Lang, the person, and his life before, when I grew up with the fairy tale volumes, reading them over and over, in order!  Great Grand Mom had them all from her days as a teacher. She brought all the books they used in her classes at Teachers College on how and what to teach in English and history classes; she bought a lot of books for her country school kids as a library for that one-room school house that had none). 

Lang had a close friendship with H. Rider Haggard. He read King Solomon's Mines in manuscript and got it published. Haggard dedicated She: A History of Adventure, to Lang.

Lang wrote a good natured parody of She, titled He. Additional jump starts to writing careers for which he was responsible were those of Arthur Conan Doyle and Robert Louis Stevenson.  He championed Mark Twain in Britain, and so very much more.

He seems a great guy with whom to have hung out and whom to have as a friend.

His lecture on advice to would-be , "How To Fail At Literature", can be found full text online and is worth reading today:

https://www.gutenberg.org/files/2566/2566-h/2566-h.htm

So can be read his "Old Friends: Essays in Epistolary Parody" -- in which Catherine Moreland of Northhanger Abbey meets Jane Eyre:

http://www.gutenberg.org/ebooks/1991

or 

http://www.fullbooks.com/Old-Friends--Essays-in-Epistolary-Parody1.html

These are joyeous reads.

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Yesterday was Day 1 of Month 6 of isolation, as far as isolation can be maintained.



Saturday, September 17, 2016

The Midwest - Part 1

     . . . Here we are, in an Hampton Inn room in Illinois on a Saturday morning, listening to a draft of the music Donald Harrison is composing for the Symphony Space Slave Coast performance.

A friend hand-delivered the script to him at a jazz venue in NYC two nights ago. This morning one of those internet 'drop box' things for which Ned has accounts had some music in it already.

We're reading from the script, not the book, on this leg of Slave Coast tour -- and saying so before we begin. So this is particularly hair-raising (in a good way) for audiences interested in these matters. I'm presuming the news of this Symphony Space thing with Donald Harrison as music composer will be particularly of interest to the Chicago audience.

We’re currently in family and wedding mode, which means, since we’re wedding guests, not of the wedding party, we are getting some necessary r&r.  The days prior, and even before leaving, were grueling, and they took their toll, even with all the incredible, positive energy – feedback we have received.

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Arose at 6 AM on Tuesday; headed out finally for the Holland Tunnel about 11 AM. (Among errands that had to be run before leaving included the copy shop to make copies of the Slave Coast script for Donald.)

Delaware Water Gap Scenic Overlook


Once we got out of Jersey City and Chris Christie’s gangland fiefdom, the drive got enjoyble. The Pennsylvania landscape of beautiful, for one thing.  For another, when one knows a lot about our national history and literature, even on interstates and turnpikes just the names on the signage bring up hosts of interesting subjects to think and talk about -- the past ghosts along with us in that car. Pennsylvania – colonial history, the War of Independence, the War of the Rebellion, coal, politics, art, religion.  Among other eras of U.S.history, Michigan's part of significant War of 1812 territory on the other geographical side of the war as conducted on the Chesapeake and in the South.




As well on that 13-hour drive I read aloud the entire Chattanooga campaign chapter over a couple - three hundred miles, from  our current read-aloud book, Grant (2001) by Jean Edward Smith, the John Marshall Professor of Political Science at Marshall University (Toronto).  This stuff is exciting, since the author concentrates on the armies and the military campaigns, not the people of the places that are affected and suffer. Unfortunately though Smith does quote without question from Shelby Foote.

Foote's popular history of the War of Rebellion, The Civil War: A Narrative, reads like a novel.  This is because he is a novelist, not an historian. Thus he makes shit up, yet the publisher still catergorizes it as history. Why is this accepted?

Like the novelist Foote was, he has these historical figures say what he thinks they should say – or wants them to say. Those of us who know more about these figures know Foote is making up these words, but those who don't read deeply in primary historical sources take Foote’s books as gospel truth. Thus, at the run-up to the Chattanooga campaign Grant says he doesn't care about slavery and is anti-emancipation, for instance -- while later, Lee states he's anti-slavery and pro-emancipation. These men speak these words ONLY because Foote made them speak these words.  Foote should never be called an historian, and should never be used as a citation. He's a southern story-teller which is a very different thing.

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Before these mansions were built in 1891, the land was owned by a man who experimented with developing better seeds for vegetables and fruits.


At 11 PM we gratefully got into our rooms (they gave us a suite) in The Inn on Ferry Street, situated in a set of the historical Detroit (founded 1701 out of the fur trade) homes erected by Gilded Age Michigan lumber barons, land developers, shipping tycoons, etc.  As an example, think of the Grand Rapids, MI, lumber millionaire in Gene Stratton Porter’s novel Freckles (1904), and Freckles himself in Girl of the Limberlost, busy denuding Indiana’s Limberlost Swamp of every valuable tree his crew can find, and destroying the rest of the swamp environment, trees and creatures as collateral damage – not that the novels mention this aspect. 

Lights out by 11:30. Had another 6 AM call on Wednesday to be breakfasted, showered and caffinated before arriving for the radio station call of 8:45 AM for the 9 AM start of Stephen Henderson's talk and call-in show. It can be heard here.

The radio program was followed by a long tour of Detroit, past and present, by a deeply knowledgable resident, who happened to be instrumental in getting us to Detroit. He even wrote another piece on Slave Coast for Alternet that went up the same day.  I took lots of notes.

He concluded the tour by taking us to his and wife's home for lunch. The other lunch guests made for an excellent mix of company – male, female, black white – in about equal numbers, everyone local, and the artists, local yes, but with national and international careers. The hosts had some Slave Coasts available for sale for the convenience of the guests who weren't able to come to the bookstore for the evening event. These people, professional activists and organizers for years, think of everything.

These kinds of gatherings make one believe that history really matters, and not just to ones self. several of Detroit's local heads, including the director of the African American Museum.  They did all this despite leaving town themselves very early the next morning. And these were only two of the wonderful people who did so much to make our Detroit visit such a success.



The call for the event at the Source, a community bookstore, was .for 6 PM.  Standing room only, many atending who had heard us on Stephen's show that morning, many of whom have known each other for many years, and who have been working together to not only save Detroit's African American and less wealthy communities from the Disaster Capitalists grabbing as much real estate as they can, but since what is called locally, the Rebellion of 1967.  Which bevels nicely into our argument, that from the perspective of African American history, the Was of Independence, the War of 1812, and particularly the War of Rebellion, whatever else they might have been, were also the great African American rebellions against the state sanctioned legal and economic systems created to keep them in a state of being 'merely' resource extraction.

After the reading, there was a long, interesting and productive q&a, which means we learned a great deal -- from people who have wisdom to impart.  We talked with people and signed books until the owner shooed everyone out about 10 PM.  Any place that had food that wasn’t covered with (phony) cheese, mayo, bacon, etc. was closed, as is the general thing in most places.  We wasted time looking for one before in desperation going into a local brew put and having burgers from which we tried to scrape off the other stuff, and salads, that could not be served with dressing and condiments on the side, and thus drowned in more fat and cholesterol, so not worth eating.

Back to the Inn and the showers -- another long drive ahead of us.


Wednesday, August 17, 2016

The American Slave Coast Appears To Have Won Something

      A couple of evenings ago,  this appeared from Publisher's Publicist:


Ned and Constance Sublette’s  The American Slave Coast ( 9781613748206, October 2015) was named one of the winners of the 2016 American Book Awards.

The American Book Awards are handed out by the Before Columbus Foundation. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing.

The American Book Awards winners selected by a panel of writers, editors, and publishers who also represent the diversity of American literary culture.



For more information about the awards and the Before Columbus Foundation, click here.




 
The 2016 American Book Award Winners are:

Laura Da'
Tributaries (University of Arizona)

Susan Muaddi Darraj
Curious Land: Stories from Home (University of Massachusetts)

Deepa Iyer
We Too Sing America:
South Asian, Arab, Muslim, and Sikh Immigrants Shape Our Multiracial Future (The New Press)

Mat Johnson
Loving Day (Spiegel & Grau)

John Keene
Counternarratives (New Directions)

William J. Maxwell
F.B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature
(Princeton University)

Lauret Savoy
Trace: Memory, History, Race, and the American Landscape (Counterpoint)

Ned Sublette and Constance Sublette
The American Slave Coast: A History of the Slave-Breeding Industry (Lawrence Hill Books)

Jesús Salvador Treviño
Return to Arroyo Grande (Arte Público)

Nick Turse
Tomorrow’s Battlefield: U.S. Proxy Wars and Secret Ops in Africa (Haymarket Books)

Ray Young Bear
Manifestation Wolverine: The Collected Poetry of Ray Young Bear (Open Road Integrated Media)

Lifetime Achievement:
Louise Meriwether

Walter & Lillian Lowenfels Criticism Award:
Lyra Monteiro and Nancy Isenberg

Andrew Hope Award:
Chiitaanibah Johnson
 

Wednesday, August 10, 2016

Reading Wednesday -- What We CAN'T Read

Science Fiction and Fantasy short fiction written by African American authors is what the average sf/f reader won't be able to read.



Fireside's  Fiction’s report, #BlackSpecFic, finds less than 2% of SF stories published in 2015 were by black writers; Black science fiction writers face 'universal' racism, study finds.

Full data Excel spreadsheet of African American stories can be viewed here  found in Sf/F short fiction publications, including Analog, Beneath Ceaseless Skies (still despise that name!), etc.
The report, published by the magazine Fireside Fiction, states that just 38 of the 2,039 stories published in 63 magazines in 2015 were by black writers. With the bulk of the industry based in the US, more than half of all speculative fiction publications the report considered did not publish a single original story by a black author. “The probability that it is random chance that only 1.96% of published writers are black in a country where 13.2% of the population is black is 0.00000000000000000000000000000000000000000000000000000000000000000000000000000321%,” says the report.

 The report, with links, that includes accompanying essays, here.
Author Troy L Wiggins wrote in another accompanying essay that: “The truth is that I have a better chance of being wrongfully convicted of a crime than I do of selling a piece of short fiction to a major speculative fiction magazine.”
This situation is just, just -- well there are no words to describe what this situation is, except three.