LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Thursday, August 20, 2020

Basbanes, Nicolas A. (2020) Cross of Snow: A life Henry Wadsworth Longfellow


     . . . . Basbanes’s book overflows with interest for the literary, material and political historian of the US in the 19th C. The interest begins right at the start of the Introduction, in which Longfellow’s trajectory and fate are traced within the literary ‘canon’ critical establishment within, and without, academe.  Ten years ago surely, I would never have guessed that Longfellow would be rehabilitated as worthy by serious literature, but he has been.

All lives have tribulations, at least back before the medical advances of the later 20tht century.  Still, a very few led golden lives, and were also decent human beings, whom it was a joy to know, despite losses of loved ones to disease and childbirth.  Longfellow suffered grief due to losing those he loved, early in their lives, such as his first wife.  But still, like Walter Scott, he lived at time when it was nearly paradise for prosperous white men.

The story begins in Portland, Maine; of which Longfellow was a life-long proud and loyal scion,  presenting a cultural history of New England through his life time. Though not born into it, he joined that generational education-prizing Bostonian wealthy cultural and literary elite, which meant then, the literary elite of the nation. Our first recognized commerical publishers and editors were his friends before they became publishers, like Ticknor and Fields. To have all doors open to one at all times, wealth is very much the key. Longfellow’s father-in-law was the vastly wealthy fellow who pulled off industrial espionage, i.e. theft of propriatory information and design, from the textile factories of England, to institute the factories of Lowell, MA. Marrying into serious money is always a good move that improves life, even when already a popular eligible bachelor, a successful prof at Harvard, and published, prosperous money-making author.


Craigie House, bought by Longfellow's FIL when he married Fanny. Washington bivouacked there. I always have imagined the Lawrence mansion in Louisa May Alcott's Little Women looking exactly like this.

Politically, Longfellow was mildly centerist all his life, which didn’t prevent a close life-long friendship with radical abolitionist-to-be, Charles Sumner. Nor did it prevent him from writing the lines that concluded his very popular, The Building of the Ship (published 1849), that made President Abraham Lincoln weep:

Thou, too, sail on, O Ship of State.

Sail on, O Union, strong and great!

Humanity with all its fears,

With all the hopes of future years,

Is hanging breathless on thy fate!

I confess, that in These Times, particularly after watching the Democratic Nominating Convention these last three days and hearing non-insane people speaking to a national audience, the lines make me weep too, as we all hardly even dare for “hopes of future years” in any way that we have known in the past.

Cross of Snow,  like such earlier biographies that have so delighted me, such as The Peabody Sisters:Three Women Who Ignited American Romanticism by Megan Marshall. Sophia Peabody was so much more interesting before she married Nathaniel Hawthorne, who was a Bowdoin schoolmate and later friend too, of Longfellow. Or, The Beechers by Milton Rugoff, an examination of the family. These provide the deeply engaging immersion that does a really fine historical family saga, such as that of Winston-Graham’s Poldark Saga.  

These kinds of books are inspiring, antidotes to the gorge of disgust, revulsion and despair about the USA and its history engendered by all these criminals in the news these days. They remind us there is a side of light after all to our past, that shone brilliantly in many locations -- in great opposition to the dark of Slaveocracy and those who made the War of the Rebellion -- and the Slaveocracy's descendents, these monsters from Lovecraft who are about nothing but ugly, hate, murder, pillage and destruction.

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