LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Monday, November 14, 2022

The Struggle That Failed 1919 -- 1945

     . . . . Hitler: A Career (German: Hitler – Eine Karriere) (1977)

West German documentary film about the career of Adolf Hitler directed by Christian Herrendoerfer and Joachim Fest and written by Fest, a German historian.

 Everything on screen is documentary film footage shot at the time in real time, though the narration – in English -- is not, and overdubbed.

This latest edition of the digitally restored period film footage, which the team that got this on Netflix did, taking out the herkyjerky fast walking and so on that we were used to from footage of the time – the miracles that can be done now.  It’s much easier watching this 1977 film in 2022 than it was to watch on television in 1977.

As per usual, my first question was the same as it always is when watching nazi documentaries. Where did the nazi organizers get these hundreds of thousands participants in the spectacles, that are viewed by an equal number of wildly cheering spectators, how is it possible the paraders and performers can execute the endless vast unison parading and maneuvers that, among other things, create monumental swastikas of human beings?  (Later in the film there's some analysis as to why so many of these spectacles were arranged at night -- the dark covered up much of the reality of what was there.)  I also think, seeing the scenes of the nazi youth groups how much I’d hated growing up in nazi Germany – those girl youth camps in which one is told that washing clothes for the family was more fun for girls than going to school, forced to play volleyball instead of reading books. They sound like mother did, having a fit when she asked, "Why don't you like anything about housework?" and I looked at her as insane.




Poland, is often regarded as comically out of date confronting Hitler’s invasion of tanks and aircraft, without any of the weapons and infrastructure of a modern army.* However, we forget -- if we ever knew -- how little time Poland had in the last 100 years or so to even BE A NATION, much less have the money or time to create a modern army, since the partition and disappearance of it in the 18th C. Under the circumstances, that it took Hitler’s forces 2 weeks to subdue Poland seems, to me, at least, admirable and truly heroic, not something for non-Poles to feel superior about. Not to mention our current home-grown nazis would never heroically make a stand like that against even an equal force, much less such an overwhelming one.  Shoot, they can't even stand up to not having somebody cooking breakfast and handing to them, or have teenage girls laugh at their trux.

On! To Moscow. Mud up to the horses’ shoulders. Mud past the tanks' treds.  Then snow, higher than the horses' bellies. This is footage shot on that advance, and the defeat WWII -- a scene of Hitler walking in snow behind the lines and the front's 'advance', stating, "I hate snow.  I never want to see snow again." Then going back to Germany, where, presumably some heads rolled, due to snow not foretold or removed.

Whilst the viewer ponders how so many of the scenes of vast numbers adoring Hitler and the nazis, united in joy of hatred, often in tears – thousands of girls melting down over the Beatles have nothing on these hormonal charges – we’ve been seeing in the last few years. 

* Poland's cavalry charge against tanks and aircraft is a myth.

The true story behind the myth is as follows.

On Sept. 1, 1939, a Polish Cavalry regiment operating along Poland’s northwestern border attacked a column of unsuspecting German infantry.

The invaders were quickly scattered, but before the Poles could celebrate, a squad of German armoured vehicles appeared on the scene and inflicted heavy casualties on the horsemen with their canons and machine guns.

The next day, war correspondents were brought to the scene and told that the Poles had charged German tanks.

Despite no one actually having witnessed the supposed charge, seemingly overnight the story spread across the globe and was quickly accepted as true. Both Time Magazine and The New York Times described the incident in hyperbolic detail; high ranking German officers recalled it in their memoirs; and even Winston Churchill mentioned it in his history of the Second World War.

I suppose we need not be surprised that one of the most solid, enduring platforms of this myth is a film the nazis shot to show their infinite military superiority to everyone?

…. Perhaps the most notorious example was the pseudodocumentary Kampfgeschwader Lützow, which featured staged footage of Polish cavalry charging panzer tanks. ….

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