*OFFBEAT* Does Postmamboism -- and His Nness Too, Of Course

Canal Street Gets the Postmamboist Treatment by Zachary Young.

“Postmamboism” is a word you’re probably not familiar with. For writer and historian Ned Sublette, it’s a way of looking at the world.

“It’s a term that I made up to describe what I had done in my three books (Cuba and Its Music, The World That Made New Orleans, The Year Before the Flood),” Sublette says. “I used music to read history.” He describes postmamboism as a “portable theory that places music at the center of understanding and uses music to interrogate other fields of study.” The practice treats music as a lens through which to view other aspects of human society.

This Monday, Sublette will give a talk at UNO in which he will apply his analytical methods to the cultural history of New Orleans – or more accurately, to one specific part of it. The title of the talk is “Uptown and Downtown New Orleans as Musical Plate Tectonics,” and in this metaphor, Canal Street is the fault line.