LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Saturday, August 8, 2009

Radical Ideas Concerning This Nation's Culture

Given space in The New York Times, no less.

First, Bob Herbert expresses clearly what has been terribly obvious for decades, that the foundation culture of this nation is violence, the cornerstone of it is hatred of women and girls, sexual and violent assault is committed against women and girls, statistically every two minutes.

We profess to being shocked at one or another of these outlandish crimes, but the shock wears off quickly in an environment in which the rape, murder and humiliation of females is not only a staple of the news, but an important cornerstone of the nation’s entertainment.

The mainstream culture is filled with the most gruesome forms of misogyny, and pornography is now a multibillion-dollar industry — much of it controlled by mainstream U.S. corporations. . . .

Life in the United States is mind-bogglingly violent. But we should take particular notice of the staggering amounts of violence brought down on the nation’s women and girls each and every day for no other reason than who they are. They are attacked because they are female.

A girl or woman somewhere in the U.S. is sexually assaulted every couple of minutes or so. The number of seriously battered wives and girlfriends is far beyond the ability of any agency to count.

There were so many sexual attacks against women in the armed forces that the Defense Department had to revise its entire approach to the problem.

One of the striking things about mass killings in the U.S. is how consistently we find that the killers were riddled with shame and sexual humiliation, which they inevitably blamed on women and girls. The answer to their feelings of inadequacy was to get their hands on a gun (or guns) and begin blowing people away.


Second, Rocco Landesman, the new head of the National Endowment for the Arts addresses the anger, contempt and hostility with which so many in this nation regard art and artists (not to mention authentic intellectual endeavor -- which has been warred upon by the neocon think tanks and other institutions set up to war up authentic intellectural and artististic work).

Mr. Landesman, 62, made clear that he has little patience for the disdain with which some politicians still seem to view the endowment, more than a decade after the culture wars that nearly destroyed it.

He was particularly angered, he said, by parts of the debate over whether to include $50 million for the agency in the federal stimulus bill, citing the comment by Mitt Romney, former governor of Massachusetts, on CNBC’s “Squawk Box” in February, that arts money did not belong in the bill. That kind of thinking suggests that “artists don’t have kids to send to college,” Mr. Landesman said, “or food to put on the table, or medical bills to pay.”

In American politics generally, he added: “The arts are a little bit of a target. The subtext is that it is elitist, left wing, maybe even a little gay. . . .”

“We need to have a seat at the big table with the grown-ups. Art should be part of the plans to come out of this recession.”

“If we’re going to have any traction at all,” he added, “there has to be a place for us in domestic policy.”

He was less clear about the details of this ambitious agenda, though he talked about starting a program that he called “Our Town,” which would provide home equity loans and rent subsidies for living and working spaces to encourage artists to move to downtown areas.

“When you bring artists into a town, it changes the character, attracts economic development, makes it more attractive to live in and renews the economics of that town,” he said. “There are ways to draw artists into the center of things that will attract other people. . . .”

“Someone who works in the arts is every bit as gainfully employed as someone who works in an auto plant or a steel mill,” Mr. Landesman said. “We’re going to make the point till people are tired of hearing it.”


Speaking of art, tonight at 7:30 sharp, The Crimson Grail kicks off in Lincoln Center's Damrosch Park Band Shell. Vaquero's one of the conductors. He formally studied conducting as an undergrad with under a fine Viennese conductor, the late Kurt Frederick, a former pupil of Webern who escaped from the Nazis to Albuquerque. He loves conducting, though he doesn't get to do it very often because of the musical styles he works in.

I'm looking forward to this. From the reports Vaquero has provided out of rehearsals this is going to be a performance of very great beauty of sound.

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