LINES OF THE DAY

". . . But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past -- or more accurately, pastness -- is a position. Thus, in no way can we identify the past as past." p. 15

". . . But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153

Silencing the Past: Power and the Production of History (1995) by Michel-Rolph Trouillot

Sunday, August 23, 2009

This Week Is For -- Diaghilev!

A centenary celebration exhibition of Diaghilev and his multiple achievements is up at the NYPL system's Library of the Performing Arts at Lincoln Center.

The slide show that accompanies the NY Times article, "Admiring the Man Who Made Ballet Modern," provides a sample of the exquisite materials in the exhibit.

"The library’s exhibition is loosely organized chronologically, from Diaghilev’s years in St. Petersburg to his death in 1929 in Venice and after, and includes blown-up pictures of his major choreographers (Fokine, Nijinsky, Nijinska, Balanchine, Massine) and photographs of his legendary dancers (Alicia Markova, Alexandra Danilova, Felia Doubrovska); video clips of the Royal Ballet on loan from the BBC; costumes donated by the Joffrey Ballet, one of a few contemporary companies whose repertory includes Ballets Russes pieces; costume designs by Goncharova, Bakst, Aninsfeld; scores by Stravinsky; and giant reproductions of Picasso’s spectacular costumes for “Parade.” And, of course, a pair of point shoes worn by Pavlova. But there are also some surprises: correspondence from Diaghilev, which gives a deeper sense of the man."


There will be re-staged performances of some of Diaghilev's productions at City Center next month -- but we'll be in New Orleans during most of that run. Somehow, somehow ....

No comments: