Mr. Simon takes on a daunting task in capturing the not well understood and somewhat insular subcultures he's chosen as his focus. With any success, he can achieve something mightier too—an understanding of the essential role musicians play in New Orleans's social order and recovery, as well as the embattled position they often find themselves in. Mr. Simon, a master at portraying systematic dysfunction, will no doubt turn a lens on the curious and combative relationship between the city's culture bearers and its power brokers. (In 2007, Social Aid & Pleasure Clubs took the city to federal court over raised permit fees, for instance; Mardi Gras Indian assemblies have suffered police intimidation.)
Friday, January 8, 2010
A Report on Simon's Tremé From Larry Blumenfeld
In the Wall Street Journal:
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